Buch, Englisch, 1308 Seiten, Format (B × H): 169 mm x 246 mm, Gewicht: 12777 g
ISBN: 978-94-017-9403-9
Verlag: Springer
This is a comprehensive volume that brings together many otherwise fragmented academic disciplines and currents, uniting them in the framework of semiotics. Addressing a longstanding need, it provides a global perspective on recent and ongoing semiotic research across a broad range of disciplines.
The handbook is intended for all researchers interested in applying semiotics as a critical lens for inquiry across diverse disciplines.
Zielgruppe
Research
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Fachgebiete
Weitere Infos & Material
Section 1: Historical and Conceptual Foundations of Semiotics.- Chapter 1: Semiotics “Today”: The 20th Century Founding and 21st Century Prospects.- Chapter 2: Maps, Diagrams, and Signs: Visual Experience in Peirce's Semiotics.- Chapter 3: Semiotics as an Interdisciplinary Science.- Chapter 4: The Semiotic Paradigm View of Theoretical Semiotics.- Chapter 5: Visions of the Other and Free Indirect Speech in Artistic Discourse. Bakhtin, Pasolini, Deleuze.- Chapter 6: C. S. Peirce and Intersemiotic Translation.- Chapter 7: Welby’s Significs, Its Developments and International Ramifications. Section 2: Language, Literature and Semiotics.- Chapter 8: Crafting the Literature of Semiotic Possibility: From the Metaphysical to the Detective Story in The Name of the Rose.- Chapter 9: The Emergence of 'Atomodoxy' in Cold-War Rhetoric and Science Fiction Narratives: Fear, Threats, and the Duties of Citizenship in an Atomic Age.- Chapter 10: The Semiotics of “Monk” Rehearsals: A Weaving of Two Texts.- Chapter 11: Deviant Orthography.- Chapter 12: Semiotics of Translation: An Interdisciplinary Approach to Translation.- Chapter 13: Intersemiotic Translation and Transfer Theory in Cinematic/Audiovisual Adaptations of Greek Drama.- Section 3: Media, Communications, and Semiotics.- Chapter 14: The Brand as an Economic Value and a Sign: Positioning as an Instrument for Creating Market Distinctions.- Chapter 15: Understanding the Codes and Assumptions of New Media.- Chapter 16: The Semiotics of Innovation.- Chapter 17: Multimodal Digital Humanities.- Chapter 18: Semiotics of Photography. The State of the Art.- Chapter 19: The Semiotics of the Mass Media.- Chapter 20: Problems of Contemporary Architectural Graphics.- Section 4: Biosemiotics.- Chapter 21: Introduction to Biosemiotics.- Chapter 22: Oikos: The Sign of Nature.- Chapter 23: Waves of Semiosis. Is It about Time? On The Semiotic Anthropology of Change.- Chapter 24: Embodied Signs: ExpandingRepresentations through and with Bodies.- Chapter 25: Face as a Sign and Paolo M