E-Book, Englisch, Band 33, 268 Seiten
E-Book, Englisch, Band 33, 268 Seiten
Reihe: Studies in German Literature Linguistics and Culture
ISBN: 978-1-57113-736-4
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
Introduction - Stuart Taberner and Karina Berger
W. G. Sebald and German Wartime Suffering - Stephen Brockmann
The Natural History of Destruction: W. G. Sebald, Gert Ledig, and the Allied Bombings - Colette Lawson
Expulsion Novels of the 1950s: More than Meets the Eye? - Karina Berger
"In this prison of the guard room": Heinrich Böll's Briefe aus dem Krieg 1939-1945 in the Context of Contemporary Debates - Frank Finlay
Family, Heritage, and German Wartime Suffering in Hanns-Josef Ortheil, Stephan Wackwitz, Thomas Medicus, Dagmar Leupold, and Uwe Timm - Helmut Schmitz
Lost Heimat in Generational Novels by Reinhard Jirgl, Christoph Hein, and Angelika Overath - Elizabeth Boa
"A Different Family Story": German Wartime Suffering in Women's Writing by Wibke Bruhns, Ute Scheub, and Christina von Braun - Caroline Schaumann
The Place of German Wartime Suffering in Hans-Ulrich Treichel's Family Text - David Clarke
"Why only now?": The Representation of German Wartime Suffering as a "Memory Taboo" in Günter Grass's Novella Im Krebsgang - Katharina Hall
Rereading Der Vorleser, Remembering the Perpetrator - Rick Crownshaw
Narrating German Suffering in the Shadow of Holocaust Victimology: W. G. Sebald, Contemporary Trauma Theory, and Dieter Forte's Air Raids Epic - Mary Cosgrove
Günter Grass's Account of German Wartime Suffering in Beim Häuten der Zwiebel:Mind in Mourning or Boy Adventurer? - Helen Finch
Jackboots and Jeans: The Private and the Political in Uwe Timm's Am Beispiel meines Bruders - Frank Finlay
Memory-Work in Recent German Novels: What (if Any) Limits Remain on Empathy with the "German Experience" of the Second World War? - Stuart Taberner
"Secondary Suffering" and Victimhood: The "Other" of German Identity in Bernhard Schlink's "Die Beschneidung" and Maxim Biller's "Harlem Holocaust" - Kathrin Schodel