Critical Essays on Colombian Cinema and Culture

Cinembargo Colombia
2012. Auflage 2012
ISBN: 978-0-230-11517-0
Verlag: Palgrave MacMillan Us

Buch, Englisch, 262 Seiten, Format (B × H): 157 mm x 236 mm, Gewicht: 544 g

An expanded translation of the groundbreaking book on Colombian cinema, this work addresses not only the inadequate distribution of criticism on Colombian cinema outside Latin America, but also employs an interdisciplinary focus that combines historical, anthropological, and sociological approaches to the country's culture.

Zielgruppe

Research

Autoren/Hrsg.

Suárez, J.

Fachgebiete

• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgattungen, Filmgenre
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften

Inhaltsverzeichnis

Translator's Preface by Laura Chesak Introduction Chaos, Myths, and Silences: Early Colombian Filmmaking Constructing a Cinematic Discourse on La Violencia Capturing the Margin: Cinema and Liminality in Colombia Gendered Genres: Women Pioneers in Colombian Cinema Visual Disjunctions: From the Experimental to Tropical Gothic Decentering the Centro: Film Noir and the Metamorphosis of Bogotá Reframing Violence: Towards Other Aesthetic Languages Searching for Images, Negotiating Transnational Spaces: The Reinvention of Colombian Cinema

Über Autor(innen)

JUANA SUÁREZ is an Adjunct Faculty Member at New York University Tisch School of the Arts, Department of Cinema Studies, and a candidate to the Master of Arts in Moving Image and Archive Preservation (2013). She is the author of (2010) and (2009).
 
LAURA CHESAK is Associate Professor of Romance Languages (Spanish) and Interim Associate Dean at The Graduate School of the University of North Carolina at Greensboro, USA.