E-Book, Englisch, 256 Seiten, E-Book
ISBN: 978-0-7456-3655-9
Verlag: John Wiley & Sons
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)
This is the first book to examine systematically music's political power. It shows how music has been at the heart of accounts of political order, at how musicians from Bono to Lily Allen have claimed to speak for peoples and political causes. It looks too at the emergence of music as an object of public policy, whether in the classroom or in the copyright courts, whether as focus of national pride or employment opportunities.
The book brings together a vast array of ideas about music's political significance (from Aristotle to Rousseau, from Adorno to Deleuze) and new empirical data to tell a story of the extraordinary potency of music across time and space. At the heart of the book lies the argument that music and politics are inseparably linked, and that each animates the other.
Autoren/Hrsg.
Weitere Infos & Material
List of Tables
Acknowledgements
Introduction Making connections
Chapter 1 Sound barriers: censoring music Chapter 2 Falling on deafears? Music policy Chapter 3 Striking a chord: from politicalcommunication to political representation
Chapter 4 All together now: music as political participation
Chapter 5 Fight the power: music as mobilisation Chapter 6'Invisible republics': making music, making history
Chapter 7 Sounding good: the politics of taste Chapter 8 Politicsas music: the sound of ideas and ideology
Chapter 9 One more time with feeling: music as political experience
Conclusion Repeat and fade
Bibliography