Sterling | Heritage, Photography, and the Affective Past | Buch | 978-0-367-13557-7 | sack.de

Buch, Englisch, 266 Seiten, Format (B × H): 241 mm x 161 mm, Gewicht: 588 g

Reihe: UCL Institute of Archaeology Critical Cultural Heritage Series

Sterling

Heritage, Photography, and the Affective Past

Buch, Englisch, 266 Seiten, Format (B × H): 241 mm x 161 mm, Gewicht: 588 g

Reihe: UCL Institute of Archaeology Critical Cultural Heritage Series

ISBN: 978-0-367-13557-7
Verlag: Taylor & Francis Ltd


Heritage, Photography, and the Affective Past critically examines the production, consumption, and interpretation of photography across various heritage domains, from global image archives to the domestic arena of the family album. Through original ethnographic and archival research, the book sheds new light on the role photography has played in the emergence, expansion, and articulation of heritage in diverse sociocultural contexts.

Drawing on wide-ranging experience across the heritage sector and two international case studies – Angkor in Cambodia and the town of Famagusta, Cyprus – the book makes a major contribution to our understanding of the role photography has played and continues to play in shaping experiences and conceptualisations of heritage. One of the core aims of the book is to problematise and potentially redirect the varied usages of photography within current practice, usages which remain woefully undertheorised, despite their often-central role in shaping heritage. Ultimately, by focusing attention on a hitherto underexamined aspect of the heritage phenomenon, namely its manifold interconnections with photography, this book provides fresh insight to the making and remaking of the past in the present, and the alternative heritages that might come into being around emergent photographic forms and approaches.

Heritage, Photography, and the Affective Past uses photography as a method of enquiry as well as a tool of documentation. It will be of interest to scholars and students of heritage, photography, anthropology, museology, public archaeology, and tourism. The book will also be a valuable resource for heritage practitioners working around the globe.
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Autoren/Hrsg.


Weitere Infos & Material


Introduction: Critical Heritage and Photography 1. Memory 2. Site 3. Archive 4. Performance Conclusion: Uncertain Frames


Colin Sterling is Assistant Professor in Memory and Museums at the University of Amsterdam. His research focuses on critical-creative approaches to heritage, memory and museums. He is interested in how artists, designers, architects, writers and other creative practitioners engage with museums and heritage as spaces of critical enquiry. Colin was previously an AHRC Research Fellow at UCL Institute of Archaeology and a Project Curator at the Royal Institute of British Architects. He has worked as a heritage consultant internationally, specialising in curatorial planning and interpretation. He is currently co-editor of the journal Museums & Social Issues.


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