Building a Character

1. Auflage 1989
ISBN: 978-0-87830-982-5
Verlag: Taylor & Francis

Buch, Englisch, 352 Seiten, Format (B × H): 141 mm x 206 mm, Gewicht: 389 g

Building a Character is one of the three volumes that make up Stanislavski’s The Acting Trilogy.

An Actor Prepares explores the inner preparation an actor must undergo in order to explore a role to the full. In this volume, Sir John Gielgud said, this great director “found time to explain a thousand things that have always troubled actors and fascinated students.”

Building a Character discusses the external techniques of acting: the use of the body, movement, diction, singing, expression, and control.

Creating a Role describes the preparation that precedes actual performance, with extensive discussions of Gogol’s The Inspector General and Shakespeare’s Othello. Sir Paul Scofield called Creating a Role “immeasurably important” for the actor.

These three volumes belong on any actor’s short shelf of essential books.

Zielgruppe

Professional Practice & Development

Autoren/Hrsg.

Stanislavski, Constantin

Weitere Mitwirkende

Hapgood, Elizabeth Reynolds

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Schauspieltechnik, Theaterpädagogik

Inhaltsverzeichnis

Chapter 1 Toward a Physical Characterization; Chapter 2 Dressing a Character; Chapter 3 Characters and Types; Chapter 4 Making the Body Expressive; Chapter 5 Plasticity of Motion; Chapter 6 Restraint and Control; Chapter 7 Diction and Singing; Chapter 8 Intonations and Pauses; Chapter 9 Accentuation: The Expressive Word; Chapter 10 Perspective in Character Building; Chapter 11 Tempo-Rhythm in Movement; Chapter 12 Speech Tempo-Rhythm; Chapter 13 Stage Charm; Chapter 14 Toward an Ethics for the Theatre; Chapter 15 Patterns of Accomplishment; Chapter 16 Some Conclusions on Acting;

Über Autor(innen)

Constantin Stanislavski (1863-1938), arguably the most influential director in the history of the theater, was the founder of the renowned Moscow Art Theater. A pioneer of psychological realism and improvisation on the stage, he devoted his life to developing the performance techniques now emulated throughout the world.