Buch, Englisch, Band 139, 178 Seiten, Print PDF, Format (B × H): 159 mm x 241 mm, Gewicht: 415 g
Reihe: Eastman Studies in Music
Myth, Music, and Propaganda
Buch, Englisch, Band 139, 178 Seiten, Print PDF, Format (B × H): 159 mm x 241 mm, Gewicht: 415 g
Reihe: Eastman Studies in Music
ISBN: 978-1-58046-510-6
Verlag: Boydell & Brewer
This book reveals Czech composer Bedrich Smetana as a dynamic figure whose mythology has been rewritten time and again to suit shifting political perspectives.
Interpretations of Czech composer Bedrich Smetana and his music have shifted as frequently as the political contexts in which they were written. This book examines not just Smetana, but also the scholar-politicians who have imagined and reimagined him and his works since the nineteenth century. During the 1870s, Smetana helped found a powerful nationalist organization called the Umelecká beseda ("Artistic Society," or UB), whose members produced the earliest scholarship on the composer as part of their calls for political action. Within the increasingly radicalized discourses of the twentieth century, individuals including future Minister of Culture and Education Zdenek Nejedlý attacked the UB for not being nationalistic enough, producing their own revisionist histories of Smetana and his works. Kelly St. Pierre investigates Smetana as both nationalist composer and national symbol, revealing the composer'slegacy as a dynamic figure whose mythology has been rewritten time and time again to suit changing political perspectives.
Kelly St. Pierre is assistant professor of musicology at Wichita State University.
St. Pierre
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Interpretations of Czech composer Bedrich Smetana and his music have shifted as frequently as the political contexts in which they were written. This book examines not just Smetana, but also the scholar-politicians who have imagined and reimagined him and his works since the nineteenth century. During the 1870s, Smetana helped found a powerful nationalist organization called the Umelecká beseda ("Artistic Society," or UB), whose members produced the earliest scholarship on the composer as part of their calls for political action. Within the increasingly radicalized discourses of the twentieth century, individuals including future Minister of Culture and Education Zdenek Nejedlý attacked the UB for not being nationalistic enough, producing their own revisionist histories of Smetana and his works. Kelly St. Pierre investigates Smetana as both nationalist composer and national symbol, revealing the composer'slegacy as a dynamic figure whose mythology has been rewritten time and time again to suit changing political perspectives.
Kelly St. Pierre is assistant professor of musicology at Wichita State University.
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
Introduction
Smetana Advocacy and Czech Nation-Building
Smetana, Czechness, and the New German School
Smetana, Czechness, and Wagner
Smetana as a Proven Genius
Writing the Smetana Myth: Historiography and Czechness
Conclusion
Notes
Bibliography
Index
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