Spanswick Women Composers

A Graded Anthology for Piano, Book 2
1. Auflage 2022
ISBN: 978-3-7957-2745-1
Verlag: Schott Music
Format: PDF
Kopierschutz: 1 - PDF Watermark

E-Book, Englisch, 68 Seiten

Reihe: Women Composers

This three-volume series of piano music by women composers is a progressive compendium of educational literature with a broad repertoire from the 17th century to the present day. For each piece, the editor has written short instructions with rehearsal tips as well as biographical notes on the women composers. The collection covers all levels of difficulty from easy (volume 1) to medium (volume 2) to difficult (volume 3) and is an indispensable addition to lessons and concerts.

Autoren/Hrsg.

Spanswick, Melanie

Inhaltsverzeichnis

Musical Terms - Preface - Elizabeth Turner (1700–1756): Giga - Louise Farrenc (1804–1875): Étude - Luise Adolpha Le Beau (1850–1927): Prelude - Cécile Chaminade (1857–1944): Gavotte - Mon Schjelderup (1870–1934): Song without Words - Dora Pejacevic (1885–1923): Waltz-Caprice - Jenni Pinnock (*1987): Astralis - Maria Teresa Agnesi (1720–1795): Allegro moderato - Hélène de Montgeroult (1764–1836): Étude - Helene Liebmann (1795–1869): Andante espressivo - Helen Hopekirk (1856–1945): Sarabande - Anna Severine Lindeman (1859–1938): Allegretto - Melanie Spanswick (*1969): Kaleidoscope - Maria Hester Park (1760–1813): Allegro - Cecilia Maria Barthélemon (1767–1859): Adagio - Maria Görres (1823–1882): Children's Song - Theodora Dutton (1870–1934): On a Southern Balcony - Julia Hülsmann (*1968): Jazz Piece - Jessica Cho (*1987): Capricious

Über Autor(innen)

Melanie Spanswick – pianist, author, teacher, and composer – graduated from the Royal College of Music with a Master's degree in Performance Studies. Melanie is a widely experienced examiner and adjudicator, and frequently gives master classes, workshops and presentations throughout the UK and internationally. As a pianist, she has performed and broadcast worldwide.
Melanie has written and edited piano books for the international market, to critical acclaim. She is a regular contributor to Pianist magazine and Piano Professional (EPTA), and her piano compositions have been featured in various publications and included on many music festival syllabuses.