Buch, Englisch, 240 Seiten, Format (B × H): 161 mm x 237 mm, Gewicht: 456 g
Reihe: Columbia Themes in Philosophy, Social Criticism, and the Arts
Buch, Englisch, 240 Seiten, Format (B × H): 161 mm x 237 mm, Gewicht: 456 g
Reihe: Columbia Themes in Philosophy, Social Criticism, and the Arts
ISBN: 978-0-231-17308-7
Verlag: Columbia University Press
Cecilia Sjöholm reads Hannah Arendt as a philosopher of the senses, grappling with questions of vision, hearing, and touch even in her political work. Constructing an Arendtian theory of aesthetics from the philosopher's fragmentary writings on art and perception, Sjöholm begins a vibrant new chapter in Arendt scholarship that expands her relevance for contemporary philosophers.
Arendt wrote thoughtfully about the role of sensibility and aesthetic judgment in political life and on the power of art to enrich human experience. Sjöholm draws a clear line from Arendt's consideration of these subjects to her reflections on aesthetic encounters and works of art mentioned in her published writings and stored among her memorabilia. This delicate effort allows Sjöholm to revisit Arendt's political concepts of freedom, plurality, and judgment from an aesthetic point of view and incorporate Arendt's insight into current discussions of literature, music, theater, and visual art. Though Arendt did not explicitly outline an aesthetics, Sjöholm's work substantively incorporates her perspective into contemporary reckonings with radical politics and their relationship to art.
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Philosophie Ästhetik
- Geisteswissenschaften Philosophie Geschichte der Westlichen Philosophie Westliche Philosophie: 20./21. Jahrhundert
- Sozialwissenschaften Politikwissenschaft Politikwissenschaft Allgemein Politische Theorie, Politische Philosophie
- Geisteswissenschaften Kunst Kunst, allgemein Kunsttheorie, Kunstphilosophie
Weitere Infos & Material
Introduction1. Sensing Space: Art and the Public Sphere2. The Work of Art3. The Encroachment of Others4. Tensions of Law: Tragedy and the Visibility of Lives5. Comedy in the Dark: Arendt, Chaplin, and Anti-SemitismNotesBibliographyIndex