Cinema of Choice

Optional Thinking and Narrative Movies
1. Auflage 2015
ISBN: 978-1-78238-904-0
Verlag: Berghahn Books

Buch, Englisch, 198 Seiten, Format (B × H): 140 mm x 216 mm, Gewicht: 257 g

Standard Hollywood narrative movies prescribe linear narratives that cue the viewer to expect predictable outcomes and adopt a closed state of mind. There are, however, a small number of movies that, through the presentation of alternate narrative paths, open the mind to thoughts of choice and possibility. Through the study of several key movies for which this concept is central, such as Sliding Doors, Run Lola Run, Inglourious Basterds, and Rashomon, Nitzan Ben Shaul examines the causes and implications of optional thinking and how these movies allow for more open and creative possibilities. This book examines the methods by which standard narrative movies close down thinking processes and deliver easy pleasures to the viewer whilst demonstrating that this is not the only possibility and that optional thinking can be both stimulating and rewarding.

Autoren/Hrsg.

Shaul, Nitzan Ben

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte

Inhaltsverzeichnis

Acknowledgements

Chapter 1. Introduction

Chapter 2. Closed Mindedness in Movies

Chapter 3. Failed Alternatives to Optional Thinking

Chapter 4. Optional Thinking in Movies

Chapter 5. Conclusion

Bibliography

Filmography

Index

Über Autor(innen)

Shaul, Nitzan Ben
Nitzan Ben Shaul is Professor of Film and Television Studies and former head of the Film and Television Department at Tel Aviv University. He received his Ph.D. from the Cinema Studies Department at New York University. He has authored several books including, Film: The Key Concepts (Berg, 2007), and Hyper-narrative Interactive Cinema: Problems and Solutions (Rodopi, 2008).

Nitzan Ben Shaul is Professor of Film and Television Studies and former head of the Film and Television Department at Tel Aviv University. He received his Ph.D. from the Cinema Studies Department at New York University. He has authored several books including, Film: The Key Concepts (Berg, 2007), and Hyper-narrative Interactive Cinema: Problems and Solutions (Rodopi, 2008).