Buch, Englisch, 210 Seiten, Format (B × H): 157 mm x 234 mm, Gewicht: 340 g
Buch, Englisch, 210 Seiten, Format (B × H): 157 mm x 234 mm, Gewicht: 340 g
ISBN: 978-90-04-28021-2
Verlag: Brill
Exploring the relation between Paul Klee's philosophical thought and art, this book deals both with the impact of Klee's art on recent philosophy and with the relation between Klee's own theoretical writings and his art. Through various approaches the contributors show how Klee's ideas are realized in his art and how, conversely, his art serves to expand and develop his theoretical conceptions.
Addressing temporality (Boehm); ascendancy and counterforce (Krell); artist as tree (Baracchi); visible space (Figal); nature sketches (Baumgartner); image of garden (Schmidt); prominence of rhythm (Barbaric); musical elements (Schuback); tragedy (Acosta); space of transformation (Vallega); Merleau-Ponty and Cézanne (Johnson)--these essays, taken comprehensively, mark a major contribution to the understanding of the philosophical depth of Klee's art and thought.
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
Introduction John Sallis
Genesis: Paul Klee’s Temporalization of Form Gottfried Boehm
The Way Back Down: Paul Klee’s Heights and Depths David Farrell Krell
Paul Klee: Trees and the Art of Life Claudia Baracchi
To the Margins. On the Spatiality of Klee’s Art Günter Figal
Paul Klee. From Structural Analysis and Morphogenesis to Art Michael Baumgartner
Klee’s Gartens Dennis J. Schmidt
Rhythmic Movement Damir Barbaric
In-between Painting and Music-or, Thinking with Paul Klee and Anton Webern Marcia Sá Cavalcante Schuback
Tragic Representations: Paul Klee on Tragedy and Art, María del Rosario Acosta López
Paul Klee’s Originary Painting Alejandro A. Vallega
On the Origin(s) of Truth in Art: Merleau-Ponty, Klee, and Cézanne Galen A. Johnson
Appendix