Buch, Englisch, 358 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 547 g
Reihe: Routledge Research in Music
Composition, Performance, Study
Buch, Englisch, 358 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 547 g
Reihe: Routledge Research in Music
ISBN: 978-0-367-86926-7
Verlag: Routledge
Zielgruppe
Postgraduate and Undergraduate
Autoren/Hrsg.
Weitere Infos & Material
Introduction
Friedemann Sallis, Valentina Bertolani, Jan Burle and Laura Zattra
Part I: Composition
1. Dwelling in a field of sonic relationships: ‘instrument’ and ‘listening’ in an ecosystemic view of live electronics performance
Agostino Di Scipio
2. (The) speaking of characters, musically speaking
Chris Chafe
3. Collaborating on composition: the role of the musical assistant at IRCAM, CCRMA and CSC
Laura Zattra
Part II: Performance
4. Alvise Vidolin interviewed by Laura Zattra: the role of the computer music designers in composition and performance
Laura Zattra
5. Instrumentalists on solo works with live electronics: towards a contemporary form of chamber music?
François-Xavier Féron and Guillaume Boutard
6. Approaches to notation in music for piano and live electronics: the performer’s perspective
Xenia Pestova
7. Encounterpoint: the ungainly instrument as co-performer
John Granzow
8. Robotic musicianship in live improvisation involving humans and machines
George Tzanetakis
Part III: Study
9. Authorship and performance tradition in the age of technology: (with examples from the performance history of works by Luigi Nono, Luciano Berio and Karlheinz Stockhausen)
Angela Ida De Benedictis
10. (Absent) authors, texts and technologies: ethnographic pathways and compositional practices
Nicola Scaldaferri
11. Computer-supported analysis of religious chant
Dániel Péter Biró and George Tzanetakis
12. Fixing the fu