Buch, Englisch, 188 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 431 g
Imagining a New Europe?
Buch, Englisch, 188 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 431 g
Reihe: Routledge Advances in Film Studies
ISBN: 978-1-138-95163-1
Verlag: Routledge
As a rapidly aging continent, Europe increasingly depends on the successful integration of migrants. Unfortunately, contemporary political and media discourses observe and frequently also support the development of nationalist, eurosceptic and xenophobic reactions to immigration and growing multiethnicity. Confronting this trend, European cinema has developed and disseminated new transcultural and postcolonial alternatives that might help to improve integration and community cohesion in Europe, and this book investigates these alternatives in order to identify examples of good practices that can enhance European stability. While the cinematic spectrum is as wide and open as most notions of Europeanness, the films examined share a fundamental interest in the Other. In this qualitative film analysis approach, particular consideration is given to British, French, German, and Spanish productions, and a comparison of multiethnic conviviality in Chicano cinema.
Autoren/Hrsg.
Fachgebiete
- Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Mediensoziologie
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte
- Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Soziologie von Migranten und Minderheiten
- Sozialwissenschaften Ethnologie | Volkskunde Volkskunde Minderheiten, Interkulturelle & Multikulturelle Fragen
- Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
Weitere Infos & Material
Introduction 1. Otherness in Contemporary European Cinema 2. Potential and Limits of a New European in Nicolas Echevarría’s Cabeza de Vaca 3. Migrants in Europe: Breaking the Boundaries? 4. Inspiration from Abroad? Cultural Boundaries in Chicano Cinema Conclusion