Redrobe / Karen Redrobe Beckman / Ma Still Moving

Between Cinema and Photography
1. Auflage 2008
ISBN: 978-0-8223-9143-2
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 323 Seiten

Reihe: e-Duke books scholarly collection

A collection of essays that discuss the relationship of film and photography, with a focus on medium specificity.

Autoren/Hrsg.

Redrobe, Karen

Karen Redrobe Beckman, Redrobe Beckman

Ma, Jean

Weitere Mitwirkende

Gunning, Tom

Corrigan, Timothy

Fachgebiete

• Geisteswissenschaften Kunst Fotografie Fotografie: Geschichte und Sammlungen
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte
• Geisteswissenschaften Kunst Kunstgeschichte

Inhaltsverzeichnis

Acknowledgments vii

Introduction / Karen Beckman and Jean Ma 1

One. Beyond Referentiality

1. What's the Point of an Index? or, Faking Photographs / Tom Gunning 23

2. "The Forgotten Image between Two Shots": Photos, Photograms, and the Essayistic / Timothy Corrigan 41

3. Structural Film: Noise / Juan A. Suárez 62

Two. Nation, Memory, History

4. An Essay on Calendar / Atom Egoyan 93

5. Photography's Absent Times / Jean Ma 98

6. The Idea of Still / Rececca Baron, interviewed by Janet Sarbanes 119

7. Crash Aesthetics: Amores Perros and the Dream of Cinematic Mobility / Karen Beckman 134

8. Surplus Memories: From the Slide Show to the Digital Bulletin Board to Jim Mendiola's Speeder Kills / Rita Gonzalez 158

Three. Working Between Media

9. Photography's Expanded Field / George Baker 175

10. Weekend Campus / Nancy Davenport 189

11. Aleph Beat: Wallace Berman between Photography and Film / Louis Kaplan 196

12. Mental Images: The Dramatization of Psychological Disturbance / Zoe Beloff 226

13. Concerning "the Photographic" / Raymond Bellour 253

References 277

Contributors 293

Index 297

Über Autor(innen)

Karen Beckman is Elliot and Roslyn Jaffe Professor of Film Studies at the University of Pennsylvania. She is the author of Vanishing Women: Magic, Film, and Feminism, also published by Duke University Press.Jean Ma is Assistant Professor in the Department of Art and Art History at Stanford University.