Buch, Englisch, 264 Seiten, Format (B × H): 163 mm x 233 mm, Gewicht: 37 g
The Culture and Commerce of Gangsta Rap
Buch, Englisch, 264 Seiten, Format (B × H): 163 mm x 233 mm, Gewicht: 37 g
Reihe: Popular Cultures, Everyday Lives
ISBN: 978-0-231-12408-9
Verlag: Columbia University Press
Focusing on the artists Ice Cube, Dr. Dre, the Geto Boys, Snoop Dogg, and Tupac Shakur, Quinn explores the origins, development, and immense appeal of gangsta rap. Including detailed readings in urban geography, neoconservative politics, subcultural formations, black cultural debates, and music industry conditions, this book explains how and why this music genre emerged. In Nuthin'but a "G" Thang, Quinn argues that gangsta rap both reflected and reinforced the decline in black protest culture and the great rise in individualist and entrepreneurial thinking that took place in the U.S. after the 1970s. Uncovering gangsta rap's deep roots in black working-class expressive culture, she stresses the music's aesthetic pleasures and complexities that have often been ignored in critical accounts.
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musikpsychologie, Musiksoziologie
- Geisteswissenschaften Musikwissenschaft Musikgattungen Andere zeitgenössische Musikrichtungen
- Geisteswissenschaften Musikwissenschaft Musikgattungen Jazz
- Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Freizeitsoziologie, Konsumsoziologie, Alltagssoziologie, Populärkultur
Weitere Infos & Material
1. A Gangsta Parable2. Gangsta's Rap: Black Cultural Studies and the Politics of Representation3. "Alwayz Into Somethin'&thinsp": Gangsta's Emergence in 1980s Los Angeles4. "Straight Outta Compton": Ghetto Discourses and the Geographies of Gangsta5. "The Nigga Ya Love To Hate": Badman Lore and Gangsta Rap6."Who's the Mack?" Rap Performance and Trickster Tales7. "It's a Doggy-Dogg World": The G-Funk Era and the Post-Soul Family8. Tupac Shakur and the Legacies of Gangsta