Przybyszewska-Jarminska Marcin Mielczewski and Music under the Patronage of the Polish Vasas

Translated by John Comber
Erscheinungsjahr 2014
ISBN: 978-3-653-99890-0
Verlag: Peter Lang
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, Band 3, 0 Seiten

Reihe: Eastern European Studies in Musicology

The first monograph of the life and œuvre of Marcin Mielczewski (d. 1651) presents the best known Polish composer of seventeenth-century Europe. During the 1990s, while exploring a newly accessible collection of music manuscripts from Silesia (the Sammlung Bohn) held in the Berlin Staatsbibliothek, the author found 37 compositions signed M.M., which she ascribed to Mielczewski. This discovery, representing more than half the composer’s known legacy, fuelled a considerable rise in interest in Mielczewski’s output among musicologists and musicians. In this book, the current state of knowledge about Marcin Mielczewski’s life and work is presented within the context of the musical patronage of King Ladislaus IV Vasa of Poland and his brother, Bishop Charles Ferdinand.

Autoren/Hrsg.

Przybyszewska-Jarminska, Barbara

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Geschichte der Musik Geschichte der Musik: Barock (ca. 1600-1750)
• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Geschichte einzelner Länder Europäische Länder
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Kultur- und Ideengeschichte
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Einzelne Komponisten und Musiker

Inhaltsverzeichnis

Contents: Musical patronage of King Ladislaus IV Vasa of Poland and Bishop Charles Ferdinand Vasa – Research history of Marcin Mielczewski (d. 1651) – Mielczewski’s biography – Mielczewski’s music and the repertoire of the Polish Vasa chapels – Issues relating to the performance of Mielczewski’s compositions.

Über Autor(innen)

Barbara Przybyszewska-Jarminska is Professor and Head of the Department of Musicology at the Institute of Art of the Polish Academy of Sciences in Warsaw. Her main area of research is the music of the late Renaissance and Baroque, especially in the Commonwealth of Poland and Lithuania.