Buch, Englisch, Band 112, 210 Seiten, Print PDF, Format (B × H): 150 mm x 234 mm, Gewicht: 522 g
Buch, Englisch, Band 112, 210 Seiten, Print PDF, Format (B × H): 150 mm x 234 mm, Gewicht: 522 g
Reihe: Studies in German Literature Linguistics and Culture
ISBN: 978-1-57113-529-2
Verlag: Boydell & Brewer
J. C. Gottsched, who reformed early Enlightenment German theater, claimed for comedy the ability to transform morality. The new literary comedies of the 1740s, among the other moral goals that they pursued, propagated a new sentimental discourse promoting marriage based on love while devaluing its traditional socioeconomic foundations. Yet in comedies by well-known dramatists of the period such as Gottsched, Gellert, J. E. Schlegel, Lessing, and Quistorp,alternative gender roles and sexual behaviors call the primacy of marriage into question: there are women who refuse to be integrated into marriage, episodes of cross-dressing that foreground the culturally constructed aspects ofgender roles, instances of male same-sex desire, and allusions to female same-sex desire. Edward T. Potter examines this marital discourse in close readings of these authors' plays, uncovering the ambiguity of eighteenth-century comedy's stance on marriage and highlighting its resistance to the emerging discourse of the sentimental marriage. In addition to excavating the connections between the texts and norms regarding gender roles and sexual behavior, Potter also examines how these comedies self-reflexively perform their own reception in plays-within-plays that reflect upon early Enlightenment comedy, poetics, and pedagogical aesthetics and thereby comment on the efficacy of theater as a means of propagating such norms.
Edward T. Potter is Associate Professor of German at Mississippi State University.
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
Introduction: Comedy, the Sentimental Marriage, and Modes of Resistance
Promoting the Sentimental Marriage in Theory and in Practice
The Virgin Huntress Tamed: J. C. Gottsched's Atalanta and the Erasure of Female Autonomy
Marriage Brokering at the Expense of Economics: C. F. Gellert's Die zärtlichen Schwestern
The Clothes Make the Man: J. E. Schlegel's Der Triumphder guten Frauen
Cross-Dressing and Gender Performance in G. E. Lessing'sDer Misogyne
Sickness Masks Desire in Th. J. Quistorp's Der Hypochondrist
Conclusion
Works Cited
Index