Cutting Rhythms

Intuitive Film Editing
2. Auflage 2015
ISBN: 978-1-138-94608-8
Verlag: Routledge

Buch, Englisch, 280 Seiten, Format (B × H): 196 mm x 241 mm, Gewicht: 725 g

There are many books on the technical aspects of film and video editing. Much rarer are books on how editors think and make creative decisions.

Filled with timeless principles and thought-provoking examples from a variety of international films, the second edition of Karen Pearlman’s Cutting Rhythms offers an in-depth study of the film editor’s rhythmic creativity and intuition, the processes and tools editors use to shape rhythms, and how rhythm works to engage audiences in film. While respecting the importance of intuitive flow in the cutting room, this book offers processes for understanding what editing intuition is and how to develop it. This fully revised and updated edition contains:

- New chapters on collaboration and "editing thinking";

- Advice on making onscreen drafts before finalizing your story

- Tips on how to create and sustain audience empathy and engagement;

- Explanations of how rhythm is perceived, learned, practiced and applied in editing;

- Updated discussions of intuition, structure and dynamics;

- An all-new companion website (www.focalpress.com/cw/pearlman) with video examples and links for expanding and illustrating the principles of key chapters in the book.

Zielgruppe

Undergraduate Core

Autoren/Hrsg.

Pearlman, Karen

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio

Inhaltsverzeichnis

CHAPTER 1 Rhythmic Intuition,CHAPTER 2 Editing as Choreography, CHAPTER 3 Timing, Pacing, and Trajectory Phrasing, CHAPTER 4 Tension, Release, and Synchronization, CHAPTER 5 Physical, Emotional, and Event Rhythms, CHAPTER 6 Physical Rhythm, CHAPTER 7 Emotional Rhythm, CHAPTER 8 Event Rhythm, CHAPTER 9 Style, CHAPTER 10 Devices, CHAPTER 11 Editing & The Vulcan Mind Meld, CHAPTER 12 Editing Thinking & Onscreen Drafting

Über Autor(innen)

Dr. Karen Pearlman is a director of the multi-award winning Physical TV Company where she directs, produces and edits drama, documentary and dance film. Currently a lecturer in Screen Production at Macquarie University, Karen is a former President of the Australian Screen Editors Guild and a four-time nominee for Best Editing at the Australian Screen Editors Guild Annual Award.