Women and Photography in Africa

Creative Practices and Feminist Challenges
1. Auflage 2020
ISBN: 978-1-350-13656-4
Verlag: Taylor & Francis Ltd

Buch, Englisch, 310 Seiten, Format (B × H): 154 mm x 236 mm, Gewicht: 596 g

This collection explores women’s multifaceted historical and contemporary involvement in photography in Africa.

The book offers new ways of thinking about the history of photography, exploring through case studies the complex and historically specific articulations of gender and photography on the continent, and attending to the challenge and potential of contemporary feminist and postcolonial engagements with the medium. The volume is organised in thematic sections that present the lives and work of historically significant yet overlooked women photographers, as well as the work of acclaimed contemporary African women photographers such as Héla Ammar, Fatoumata Diabaté, Lebohang Kganye and Zanele Muholi. The book offers critical reflections on the politics of gendered knowledge production and the production of racialised and gendered identities and alternative and subaltern subjectivities. Several chapters illuminate how contemporary African women photographers, collectors and curators are engaging with colonial photographic archives to contest stereotypical forms of representation and produce powerful counter-histories.

Raising critical questions about race, gender and the history of photography, the collection provides a model for interdisciplinary feminist approaches for scholars and students of art history, visual studies and African history.

Autoren/Hrsg.

Newbury, Darren

Thomas, Kylie

Rizzo, Lorena

Fachgebiete

• Sozialwissenschaften Soziologie | Soziale Arbeit Soziologie Allgemein Feminismus, Feministische Theorie
• Geisteswissenschaften Kunst Kunststile Afrikanische Kunst
• Geisteswissenschaften Kunst Fotografie Fotografie: Geschichte und Sammlungen

Inhaltsverzeichnis

Preface; 1. New lines of sight: Perspectives on women and photography in Africa; PART I: WRITING WOMEN INTO PHOTOGRAPHIC HISTORIES; 2. A working woman’s eye: Anne Fischer and the South African photography of Weimar women in exile; 3. Curating images, performing narratives: Women and photography in the Usakos old location; 4. Women photographers in Angola and Mozambique (1909-1950): A history of an absence; PART II: PHOTOGRAPHIC DIALOGUES WITH THE PAST; 5. ‘Don’t touch’: Inheriting the Deo Gratias Photo Studio in Ghana – an interview with Kate Tamakloe-Vanderpuije; 6. Photographic representations of Tunisian women from the late 1940s to the present: A transgenerational palimpsest; 7. Some collaborative readings of personal and cultural photographs from Southern Africa in the 1980s; PART III: GENDER AND SEXUALITY IN PHOTOGRAPHIC PRACTICE; 8. ‘We own the night’: Youth and self-fashioning in Fatoumata Diabaté’s Sutigi; 9. Photographs and memory making: Curating Kewpie: Daughter of District Six; 10. Beyond the frame: Zanele’s Muholi’s queer visual activism; PART IV: FEMINIST AND POSTCOLONIAL PRACTICES; 11. Affective archives: Re-animating family photographs in the works of Lebohang Kganye and Thenjiwe Niki Nkosi; 12. Visual currencies: Performative photography in South African contemporary art; 13. Héla Ammar’s Tarz: An affective and imaginative memory upon dispossession

Über Autor(innen)

Darren Newbury is Professor of Photographic History and Director of Postgraduate Studies (Arts and Humanities) at the University of Brighton. He is the author of Defiant Images: Photography and Apartheid South Africa (2009) and People Apart: 1950s Cape Town Revisited. Photographs by Bryan Heseltine (2013); and co-editor of The African Photographic Archive: Research and Curatorial Strategies (2015) with Christopher Morton, and a Special Issue of Visual Studies on ‘Photography and African Futures’ (2017) with Richard Vokes. He was editor of the international journal Visual Studies from 2003 to 2015, and has curated exhibitions at the Pitt Rivers Museum, University of Oxford, and District Six Museum, Cape Town.

Lorena Rizzo is an associate researcher and lecturer in the Center for African Studies at the University of Basel (Switzerland). She has widely published on Namibian and South African visual and gender history. She is currently finalizing a book entitled Shades of Empire: Photography and History in Colonial Southern Africa (forthcoming Routledge).

Kylie Thomas is a Marie Sklodowska-Curie Research Fellow at the Netherlands Institute for War, Holocaust and Genocide Studies in Amsterdam. She is the author of Impossible Mourning: HIV/AIDS and Visuality after Apartheid (Bucknell University Press & Wits University Press, 2014) and co-editor, with Louise Green, of Photography in and out of Africa: Iterations with Difference (Routledge, 2016).