Buch, Englisch, 256 Seiten, Trade Paperback, Format (B × H): 152 mm x 229 mm, Gewicht: 458 g
Buch, Englisch, 256 Seiten, Trade Paperback, Format (B × H): 152 mm x 229 mm, Gewicht: 458 g
ISBN: 978-0-520-20951-0
Verlag: University of California Press
From the paranoid isolationism of the Cold War through the countercultural activism of the sixties to the resurgence of corporate and state control in the eighties, Burroughs's novels, films, and music hold a mirror to the American psyche. Murphy coins the term "amodernism" as a way to describe Burroughs's contested relationship to the canon while acknowledging the writer's explicit desire for a destruction of such systems of classification. Despite the popular mythology that surrounds Burroughs, his work has been largely excluded from the academy of American letters. Finally here is a book that presents a solid portrait of a major artistic innovator, a writer who combines aesthetics and politics and who can perform as anthropologist, social goad, or media icon, all with consummate skill.
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
List of Abbreviations
Acknowledgments
Introduction:
"Nothing is True, Everything is Permitted"
Chapter One
Invisibility and Amodernism
Chapter Two
No Final Glossary: Fugitive Words in Junky and Queer
Chapter Three
"All Agents defect and all Resisters sell out": The Negative Dialectics of Naked Lunch
Chapter Four
"I Hassan i Sabbah rub out the word forever": The Dialectic of Treason and the Abolition of the Law in the Nova Trilogy
Chapter Five
The Wild Boys: Desire, Fantasy, and the Book of the Dead
Chapter Six
Quien es? Reconstitution of the Revolutionary Subject in Burroughs's Late Trilogy
Conclusion:
Burroughs's Fin de siecle: Listen to My Last Words Everywhere
Notes
Works Cited
Index