Buch, Englisch, 158 Seiten, Format (B × H): 145 mm x 222 mm, Gewicht: 339 g
Buch, Englisch, 158 Seiten, Format (B × H): 145 mm x 222 mm, Gewicht: 339 g
Reihe: Routledge Focus on Media and Cultural Studies
ISBN: 978-1-032-43964-8
Verlag: Routledge
Departing from the belief that there is no such thing as an objective and value-neutral approach to policy analysis because our society is organised around gender, this volume builds upon Pierre Bourdieu’s theory of field to propose that film policies do not emerge in a vacuum because they respond to different demands from those agents involved in the field of the Spanish cinema. By so doing, it critically assesses how these policies have come into being, by whom, in response to what interests, how they have shaped the Spanish film industry, and how far and in what ways they have tackled gender inequality in the Spanish film industry.
This book will be of great interest to scholars and students of Spanish cinema, gender studies, film industry studies, film policy, and feminist film studies.
Zielgruppe
Academic, Postgraduate, and Undergraduate Advanced
Autoren/Hrsg.
Fachgebiete
- Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
- Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft: Dramen und Dramatiker
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio
- Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Mediensoziologie
Weitere Infos & Material
Introduction
Chapter 1. Contemporary Spanish Film Policies
Chapter 2: The 1980s: The Making of a New Democratic Cinema
Chapter 3: The 1990s: Hoping for a Better Future
Chapter 4: The 2000s: Towards a Feminist Film Law?
Conclusion