Memou Photography and social movements

From the globalisation of the movement (1968) to the movement against globalisation (2001)
1. Auflage 2018
ISBN: 978-1-5261-3050-1
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 192 Seiten, Web PDF, Format (B × H): 156 mm x 234 mm

The first thorough study of photography’s interrelationship with social movements

Autoren/Hrsg.

Memou, Antigoni

Fachgebiete

• Sozialwissenschaften Politikwissenschaft Politikwissenschaft Allgemein Politische Globalisierung
• Geisteswissenschaften Kunst Fotografie Fotografie: Geschichte und Sammlungen
• Sozialwissenschaften Soziologie | Soziale Arbeit Soziologie Allgemein

Inhaltsverzeichnis

Introduction
CHAPTER 1
1.1 Toute la presse est toxique: May 1968 in the mainstream French press
1.2 The Zapatistas and the media spectacle
1.3 ‘When it bleeds, it leads’: death and press photography in the anti-capitalist protests in Genoa 2001
CHAPTER 2
2.1 The student movement of May 1968: activist photography, self-reflection and antinomies
2.2 Zapatistas, photography and the internet or winning the game of visibility
2.3 Carnival against capitalism: global days of action & photographs of resistance
CHAPTER 3
3.1 May ’68 in the museum
3.2 The end of silence: Antonio Turok’s photographs of the Zapatistas
3.3 Joel Sternfeld’s anti-photojournalistic images of Genoa
CONCLUSION
BIBLIOGRAPHY
Index

Über Autor(innen)

Memou Antigoni:
Antigoni Memou is Lecturer in Art History at the University of East LondonAntigoni Memou is Lecturer in Art History at the University of East London