Mays Hip Hop Beats, Indigenous Rhymes

Modernity and Hip Hop in Indigenous North America
1. Auflage 2018
ISBN: 978-1-4384-6947-8
Verlag: De Gruyter
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 194 Seiten, Format (B × H): 152 mm x 229 mm

Reihe: SUNY series, Native Traces

Argues that Indigenous hip hop is the latest and newest assertion of Indigenous sovereignty throughout Indigenous North America.

Autoren/Hrsg.

Mays, Kyle T.

Fachgebiete

• Sozialwissenschaften Ethnologie | Volkskunde Volkskunde Indigene Völker
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Mentalitäts- und Sozialgeschichte

Inhaltsverzeichnis

Preface: A Note on Language: Black English and Uncensored Mode

Acknowledgments

Introduction: Can We Live and Be Modern and Indigenous?: Toward an Indigenous Hip Hop Culture

1. #NotYourMascot: Indigenous Hip Hop Artists as Modern Subjects

2. The Fashion of Indigenous Hip Hop

3. Indigenous Masculinity in Hip Hop Culture: Or, How Indigenous Feminism Can Reform Indigenous Manhood

4. “He’s just tryna be black”: The Intersections of Blackness and Indigeneity in Hip Hop Culture

5. Rhyming Decolonization: A Conversation with Frank Waln, Sicangu Lakota

Conclusion: “It’s bigger than Hip Hop”: Toward the Indigenous Hip Hop Generation

Notes
Works Cited
Index

Über Autor(innen)

Kyle T. Mays is Assistant Professor in the Department of African American Studies and the American Indian Center, UCLA.