Marghitu | Teen TV | Buch | 978-1-138-71389-5 | sack.de

Buch, Englisch, 246 Seiten, Format (B × H): 129 mm x 198 mm, Gewicht: 268 g

Reihe: Routledge Television Guidebooks

Marghitu

Teen TV

Buch, Englisch, 246 Seiten, Format (B × H): 129 mm x 198 mm, Gewicht: 268 g

Reihe: Routledge Television Guidebooks

ISBN: 978-1-138-71389-5
Verlag: Routledge


Teen TV explores the history of television’s relationship to teens as a desired, but elusive audience, and the ways in which television has embraced youth subcultures, tracing the shifts in American and global televisual and teen media.

Organized chronologically to cover each generation since the inception of the medium in the 1940s, the book examines a wide range of historical and contemporary programming: from the broadcast bottleneck, multi-channel era that included youth-targeted spaces like MTV, the WB, and the CW, to the rise of streaming platforms and global crossovers. It covers the thematic concerns and narrative structure of the coming-of-age story, and the prevalent genre formations of teen TV and milestones faced by teen characters. The book also includes interviews with creators and showrunners of hit network television teen series, including Degrassi’s Linda Schuyler, and the costume designer that established a heightened turn in the significance of teen fashion on the small screen in Gossip Girl, Eric Daman.

This book will be of interest to students, scholars, and teachers interested in television aesthetics, TV genres, pop culture, and youth culture, as well as media and television studies.
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Autoren/Hrsg.


Weitere Infos & Material


Introduction 1. Baby Boomer Teen TV 2. Gen X Teen TV 3. Millenial Teen TV 4. Gen Z Teen TV


Stefania Marghitu is a visiting faculty member at Pitzer College. She has also taught courses at Chapman University, California State University Northridge, and Columbia College Hollywood. She received her PhD from the University of Southern California’s Division of Cinema and Media Studies. Her primary interests deal with critical and cultural studies of television, the showrunner and modes of authorship, production cultures, and feminist media studies. Her dissertation is titled Women Showrunners: Authorship, Identity, and Representation in US Television. She has published in Feminist Media Studies, Communication, Culture and Critique and The Spectator.


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