Colour Imaging

Vision and Technology
1. Auflage 1999
ISBN: 978-0-471-98531-0
Verlag: Wiley

Buch, Englisch, 440 Seiten, Format (B × H): 177 mm x 252 mm, Gewicht: 951 g

CD-ROM-Laufwerk, Farbbildschirm und Soundkarte - für einen neuen Computer sind dies heute schon Selbstverständlichkeiten. Die Forderung der Anwender nach Multimedia-Programmen verstärkt den Druck auf die Anwendungsentwickler, die Möglichkeiten zur Bilddarstellung ständig zu vervollkommnen. In diesem Buch finden Sie viele nützliche Hinweise zur Verarbeitung, Kodierung, Übertragung und Reproduktion photorealistischer Farbabbildungen. (09/99)

Autoren/Hrsg.

MacDonald, Lindsay

Luo, M Ronnier

Fachgebiete

• Technische Wissenschaften Sonstige Technologien | Angewandte Technik Signalverarbeitung, Bildverarbeitung, Scanning
• Geisteswissenschaften Design Grafikdesign, Kommunikationsdesign
• Mathematik | Informatik EDV | Informatik Informatik Bildsignalverarbeitung
• Mathematik | Informatik EDV | Informatik Professionelle Anwendung

Inhaltsverzeichnis

COLOUR VISION.

Why is Black and White so Important in Colour? (R. Hunt).

Investigations into Multiscale Retinex (MSR) (K. Barnard & B. Funt).

Colour Prediction Using the Von Kries Transform (W. Praefcke & F. König).

Web Design for the Colour-Blind User (H. Brettel & F. Viénot).

Illuminant Estimation and Colour Correction (P. Hubel, et al.).

COLOUR IMAGING TECHNOLOGY.

Challenges for Colour Science in Multimedia Imaging (R. Berns).

A Multispectral Scanner (F. König & W. Praefcke).

Multispectral Image Acquisition and Simulation of Illuminant Changes (J. Hardeberg, et al.).

Color Coordinate Conversion via Neural Networks (S. Tominaga).

A New Method for Characterizing Colour Printing Devices (J. Van de Capelle & B. Meireson).

MULTIMEDIA COLOUR REPRODUCTION.

Colour Image Engineering for Multimedia Systems (L. MacDonald).

Maintaining Colour Accuracy in Images Transferred Across the Internet (D. Saunders, et al.).

Specifying and Visualizing Colour Gamut Boundaries (P. Herzog).

Developing Algorithms for Universal Colour Gamut Mapping (J. Morovic & M. Luo).

QUALITY ASSESSMENT.

Image Quality Evaluation (J. Farrell).

Determination of Compressed Image Quality (A. Ford).

Objective Quality Estimation for Digital Images in Multimedia Environments (N. Gerfelder & W. Müller).

Towards Perceptually Optimal Colour Reproduction of Natural Scenes (S. Yendrikhovskij, et al.).

Colour Science: Past, Present and Future (M. Luo).

Index.

Über Autor(innen)

Lindsay MacDonald is Professor of Multimedia Imaging at the Colour & Imaging Institute, University of Derby. For 18 years he was with Crosfield Electronics Ltd, where he designed and wrote the software for the world's first computer-based page composition system in 1977. Professor MacDonald is a Fellow of the British Computer Society, the Institution of Electrical Engineers, the Royal Photographic Society, and the Royal Society of Arts. He is co-author or co-editor of a number of books, including Computer Generated Colour, Display Systems: Design and Applications, Colour Imaging: Vision and Technology and Colour Image Science: Exploiting Digital Media.
M. Ronnier Luo is a Global Expertise Professor at the College of Optical Science and Technology, Zhejiang University in China, and a Visiting Professor of Colour Science and Imaging at the University of Leeds - UK - and the National Taiwan University of Science and Technology, Chinese Taipei. He is also the CIE Vice-President of Publication. He received his PhD in 1986 at the University of Bradford in the field of colour science. He has published 600 publications in the areas of colour science, imaging science and LED illumination.