On the Margins of Realism

Tracing Alternative Aesthetics in a Century of Chinese Cinema
1. Auflage 2025
ISBN: 978-1-032-81571-8
Verlag: Taylor & Francis Ltd (Sales)

Buch, Englisch, 196 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 454 g

Realism has been endowed with a certain orthodox status as the aesthetic counterpart of China’s modernization, and studies of Chinese film history have largely accepted a master narrative of realism as the guiding aesthetic of mainland Chinese cinema. This book argues, however, that alternative aesthetics to realism have always existed in Chinese cinema throughout its history, from the early silent era to the new century.

 

These alternative aesthetics are closely linked to the indigenous Chinese ontology of cinema, namely shadowplay (yingxi). The author presents an alternative account through a close examination of four distinct visual, narrative, and stylistic devices or themes that recur in different periods of Chinese film history: dream representation, the doubling of characters, the device of self-reflexivity, and the allegorical construction of space. By considering particular films and scenes as problematic sites where history, politics and aesthetics collide, the book also seeks to elucidate the relationship between cinema and the multifaceted experiences of Chinese modernity with respect to subjectivity, ideology, identity and nationality.

 

The book will be of interest to scholars and students of Chinese cinemas, realism and modernism.

Zielgruppe

Academic, Postgraduate, Professional Practice & Development, Professional Reference, Undergraduate Advanced, and Undergraduate Core

Autoren/Hrsg.

Luo, Ting

Fachgebiete

• Geisteswissenschaften Kunst Kunststile Asiatische Kunst
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgattungen, Filmgenre

Inhaltsverzeichnis

1. Representing Dreams as Technique, Genre or Style: Prohibition and Expression of Modern Subjectivity  2. The Doubling of (Female) Characters: Visual Modernity, Photographic Specificity, and Divided Identities  3. The Device of Self-Reflexivity: Self-Promotion, Demystification, and Self-Deconstruction  4. The Allegorical Construction of Space: Imagining China through Landscapes

Über Autor(innen)

Ting Luo is an assistant professor in the College of Media and International Culture and a research fellow at the Center for Digital Communication Studies, Zhejiang University. She holds a PhD from the University of Auckland. Her research interests include Chinese film, Asian cinema, and media studies.