Women and Death in Film, Television, and News

Dead But Not Gone
2014. Auflage 2014
ISBN: 978-1-137-45768-4
Verlag: Palgrave MacMillan Us

Buch, Englisch, 207 Seiten, Format (B × H): 140 mm x 223 mm, Gewicht: 3796 g

Dead women litter the visual landscape of the 2000s. In this book, Clarke Dillman explains the contextual environment from which these images have arisen, how the images relate to (and sometimes contradict) the narratives they help to constitute, and the cultural work that dead women perform in visual texts.

Zielgruppe

Research

Autoren/Hrsg.

Loparo, Kenneth A

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgattungen, Filmgenre
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
• Sozialwissenschaften Soziologie | Soziale Arbeit Soziale Gruppen/Soziale Themen Gender Studies, Geschlechtersoziologie
• Geisteswissenschaften Kunst Kunst, allgemein

Inhaltsverzeichnis

1. Introduction 2. Film Narratives, Dead Women, and Their Meaning in a Changing World 3. Family Films Gone Terribly Wrong: The Lovely Bones (2009) and Disturbia (2007) 4. Television Narratives and Dead Women: Channelling Change 5. News-Mediated Narratives of Disappearance: Chandra Levy, Laci Peterson, Natalee Holloway, and Conventions of Dead Women in the News Conclusion

Über Autor(innen)

Joanne Clarke Dillman is Lecturer in Communication Arts and Culture at the University of Washington, Tacoma, USA.