Performing Hybridity in Colonial-Modern China

2013. Auflage 2015
ISBN: 978-1-349-45504-1
Verlag: Palgrave MacMillan Us

Buch, Englisch, 245 Seiten, Format (B × H): 140 mm x 216 mm, Gewicht: 304 g

Reihe: Palgrave Studies in Theatre and Performance History

In Shanghai in the early twentieth century, a hybrid theatrical form, wenmingxi, emerged that was based on Western spoken theatre, classical Chinese theatre, and a Japanese hybrid form known as shinpa. This book places it in the context of its hybridized literary and performance elements, giving it a definitive place in modern Chinese theatre.

Zielgruppe

Research

Autoren/Hrsg.

Liu, S.

Fachgebiete

• Geisteswissenschaften Kunst Kunst, allgemein
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte

Inhaltsverzeichnis

Introduction: Modernity, Interculturalism, and Hybridity 1. Emergence of the National Theatrical Discourse 2. Hybrid Sources: Western, Japanese, and Chinese 3. Hybridization in Shanghai 4. Literary Hybridity: Scripts and Scenarios 5. Translative Hybridity: Acculturation and Foreignization 6. Performance Hybridity: The Search for Conventions

Über Autor(innen)

Siyuan Liu is an assistant professor in the Department of Theatre and Film at the University of British Columbia, Canada.