Ex-Cinema

From a Theory of Experimental Film and Video
1. Auflage 2012
ISBN: 978-0-520-27412-9
Verlag: University of California Press

Buch, Englisch, 202 Seiten, Cloth Over Boards, Format (B × H): 160 mm x 231 mm, Gewicht: 436 g

What does it mean for film and video to be experimental? In this collection of essays framed by the concept “ex-”—meaning from, outside, and no longer—Akira Mizuta Lippit explores the aesthetic, technical, and theoretical reverberations of avant-garde film and video. Ex-Cinema is a sustained reflection on the ways in which experimental media artists move outside the conventions of mainstream cinema and initiate a dialogue on the meaning of cinema itself.

Autoren/Hrsg.

Lippit, Akira

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio
• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: 20./21. Jahrhundert

Inhaltsverzeichnis

List of Illustrations
Acknowledgments

EXC00 Exergue Ex-cinema
EXC01 Out of the Blue (ex nihilo)
EXC02 Extimacy: Outside Time and Super-realist Cinema
EXC03 Cinemnesis: Martin Arnold’s Memory Apparatus
EXC04 The Rhetoric of Images, of the Unimaginable
EXC05 Derrida, Specters, Self-reflection
EXC06 (Parenthesis: Video Ergo Sum)
EXC07 Digesture: Gestures Without Bodies
EXC08 Extract Matthias Müller

EXC09 Revisionary Cinema
EXC10 xxxxMA

Über Autor(innen)

Akira Mizuta Lippit is Professor of Cinematic Arts, Comparative Literature, and East Asian Languages and Cultures at the University of Southern California. He is on the board of Film Quarterly, and is author of Atomic Light (Shadow Optics) and Electric Animal: Toward a Rhetoric of Wildlife.