Buch, Englisch, 106 Seiten, Format (B × H): 145 mm x 222 mm, Gewicht: 278 g
Buch, Englisch, 106 Seiten, Format (B × H): 145 mm x 222 mm, Gewicht: 278 g
Reihe: Routledge Focus on Film Studies
ISBN: 978-1-032-43047-8
Verlag: Routledge
By offering close readings of key contemporary films and positioning them in a wider slate of releases by British East and Southeast Asian filmmakers alongside Anglophone film histories in the Global North, this book sheds light on a developing field and engenders new ways of understanding British cinema and society. The author explores changing representational politics in contemporary cinema and argues for the cinematic visibility of a hitherto silenced community. Drawing on theoretical frames from sociological, film and cultural studies to critically engage with the textual and visual language of the case studies, Leung claims the place of British East and Southeast Asian Cinema as a film and cultural movement.
Highlighting diversity among the British East and Southeast Asian community, pushing boundaries in its intersectional approach to ethnicity, race, gender and sexuality, and proposing a critical framework for academic studies on diasporic film-making in the UK, this nuanced and innovative study will interest researchers, teachers and students in a range of Humanities and Liberal Arts subjects, including Film and Media Studies, Regional/Area Studies (Asia), and arts, cultural and creative productions from the East and Southeast Asian diaspora.
Zielgruppe
Academic, Postgraduate, and Undergraduate Advanced
Autoren/Hrsg.
Fachgebiete
- Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
- Sozialwissenschaften Ethnologie | Volkskunde Volkskunde Historische & Regionale Volkskunde
- Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Mediensoziologie
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgattungen, Filmgenre
Weitere Infos & Material
List of Figures
Acknowledgements
Introduction: British East and Southeast Asian Cinema as a Cultural Movement
Chapter 1: Time, Space and the Chinese Migrant in Guo Xiaolu's Works
Chapter 2: Representations of Gendered Labour, Sex Work and Affect
Chapter 3: Lilting: On the Accented Politics of a Queer Narrative
Conclusion
Index