Buch, Englisch, 240 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 544 g
Reihe: Routledge Studies in Renaissance Literature and Culture
Buch, Englisch, 240 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 544 g
Reihe: Routledge Studies in Renaissance Literature and Culture
ISBN: 978-0-415-28881-1
Verlag: Routledge
Using the literature of Shakespeare, Spenser and Jonson, Mary Ellen Lamb investigates the social narratives of several social groups – an urban, middling group; an elite at the court of James; and an aristocratic faction from the countryside. She states that under the pressure of increasing economic stratification, these social fractions created cultural identities to distinguish themselves from each other – particularly from lower status groups. Focusing on Shakespeare’s A Midsummer Night's Dream and Merry Wives of Windsor, Spenser's Faerie Queene, and Jonson's Masque of Oberon, she explores the ways in which early modern literature formed a particularly productive site of contest for deep social changes, and how these changes in turn, played a large role in shaping some of the most well-known works of the period.
Zielgruppe
Postgraduate
Autoren/Hrsg.
Weitere Infos & Material
Acknowledgements 1. Producing Popular CulturesPart1: Fairies, Old Wives Tales, and Hobbyhorses: Rising to (In)visibility 2. Taken by the Fairies 3. Old Wives’ Tales 4. Hobbyhorses and Fellow TravellersPart 2: William Shakespeare 5. A Midsummer Night’s Dream: Breeching the Binary 6. Merry Wives of Windsor: Domestic Nationalism and the Refuse of the RealmPart 3: Edmund Spenser 7. The Faerie Queene: Vanishing Fairies and Dissolving Courtiers Part 4: Ben Jonson 8. Oberon, The Fairy Prince (1611) and The Great Fairy Caper; The Sad Shepherd (c. 1637) and the Topography of the Devil’s Arse Conclusion Notes Bibliography Index