King Networked Reenactments

Stories Transdisciplinary Knowledges Tell
1. Auflage 2012
ISBN: 978-0-8223-9446-4
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 387 Seiten

In this feminist cultural study of reenactments, Katie King traces the development of a new kind of transmedia storytelling during the 1990s, as a response to the increasing difficulty of reaching large audiences at a time where entertainment media and knowledge production were both being restructured.

Autoren/Hrsg.

King, Katie

Weitere Mitwirkende

Haraway, Donna J.

Fachgebiete

• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Mediensoziologie
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
• Sozialwissenschaften Soziologie | Soziale Arbeit Soziologie Allgemein Feminismus, Feministische Theorie
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte

Inhaltsverzeichnis

Foreword / Donna Haraway ix

Preface. What Are Reenactments in This Book? xv

Acknowledgments xix

Introduction. A Thick Description amid Authorships, Audiences, and Agencies in the Nineties 1

1. Nationalities, Sexualities, and Global TV: Highlander, Xena, and Meanings of European Union 21

2. Science in American Life: Among the Culture Warriors 59

3. TV and the Web Come Together 129

4. Scholars and Intellectual Entrepreneurs 203

Conclusion. Toward a Feminist Transdisciplinary Posthumanities 273

Notes 301

Bibliography 335

Index 351

Über Autor(innen)

Katie King is Associate Professor of Women’s Studies at the University of Maryland, College Park. She is the author of Theory in Its Feminist Travels: Conversations in U.S. Women’s Movements.