Kester The One and the Many

Contemporary Collaborative Art in a Global Context
1. Auflage 2011
ISBN: 978-0-8223-9403-7
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 320 Seiten

Examines questions of agency, artisanship, and identity in relation to collaborative art practice.

Autoren/Hrsg.

Kester, Grant H.

Fachgebiete

• Geisteswissenschaften Kunst Kunst, allgemein Geschichte der Kunstwissenschaft und Kunstkritik
• Geisteswissenschaften Kunst Kunst, allgemein Kunsttheorie, Kunstphilosophie
• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: 20./21. Jahrhundert

Inhaltsverzeichnis

Acknowledgments ix

Introduction 1

1. The Semantics of Collaboration

2. Art Practice and the Intellectual Baroque

Chapter 1: Autonomy, Antagonism, and the Aesthetic 19

1. From Text to Action

2. Park Fiction, Ala Plastica, and Dialogue

3. Relational Antagonism

4. The Risk of Diversity

5. Programmatic Multiplicity

6. Art Theory and the Post-structuralist Canon

Chapter Two: The Genius of the Place 67

1. Lessons in Futility

2. Enclosure Acts

3. The Twelfth Seat and the Mirrored Ceiling

4. The Atelier as Workshop

5. Labor, Praxis, and Representation

6. The Divided and Incomplete Subject of Yesterday

7. Memories of Development

8. The Limits of Ethical Capitalism

9. The Art of the Locality

Chapter Three: Eminent Domain: Art and Urban Space 155

1. Blindness and Insight

2. The Invention of the Public

3. The Boulevards of the Inner City

4. Park Fiction: Desire, Resistance, and Complicity

5. A Culture of Needles: Project Row Houses in Houston

Notes 229

References 281

Index 295

Über Autor(innen)

Grant H. Kester is Professor of Art History and Chair of Visual Arts at the University of California, San Diego. He is the author of Conversation Pieces: Community and Communication in Modern Art and the editor of Art, Activism, and Oppositionality: Essays from Afterimage, also published by Duke University Press.