Buch, Englisch, 304 Seiten, Format (B × H): 253 mm x 182 mm, Gewicht: 728 g
Buch, Englisch, 304 Seiten, Format (B × H): 253 mm x 182 mm, Gewicht: 728 g
ISBN: 978-0-415-35430-1
Verlag: Taylor & Francis Ltd
In the first English-language book to document their work, company founders, Claudia Castellucci, Romeo Castellucci and Chiara Guidi, discuss their approach to theatre making with Joe Kelleher and Nicholas Ridout.
At the centre of the book is a detailed exploration of the company's eleven episode cycle of tragic theatre, Tragedia Endogonida (2002–2004,) including:
- production notes and extensive correspondence giving insights into the creative process
- essays by and conversations with company members alongside critical responses by their two co-authors
- seventy-two photographs of the company's work.
This is a significant collection of theoretical and practical reflections on the subject of theatre in the twenty-first century, and an indispensible written and visual document of the company's work.
Zielgruppe
Professional Practice & Development and Undergraduate
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatersoziologie, Theaterpsychologie
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatertheorie, Ästhetik des Theaters, Theaterkritik
Weitere Infos & Material
Introduction Part 1: Makers and Spectators, Tragedia Endogonidia 2002–2004 1.1 Letters to Scott Gibbons 1.2 Making Space 1.3 System, Function and Workings for a Tragedy of Gold 1.4 On the Earth's Stage 1.5 Letters to Scott 1.6 An Organism on the Run 1.7 A Letter about the Goat that Gave its Name to Tragedy 1.8 1st Grammatical Exercise with 20 Amino Acids 1.9 Letters to Scott 1.10 From the Finalo Script of A.#02 1.11 Night, Writing, Gesture 1.12 The Form of a Blot 1.13 Letters to Scott 1.14 From the Final Script of B.#03 1.15 A Play of Grief 1.16 From the Final Script of B.#03 1.17 On Being There (In the Beginning)/On Not Being There (Berlin) 1.18 Letters to Scott 1.19 Storytime 1.20 Out in the Open 1.21 Images of an Episode 1.22 Letters to Scott, Marco and Cosetta 1.23 Modern Acting 1.24 Somebody, Anybody 1.25 Letter to Scott 1.26 From the Final Script of R.#07 1.27 Monkey Business 1.28 From a Conversation about Dramaturgy 1.29 The Italian Comedy 1.30 Letters to Scott 1.31 Earth and Glass 1.32 A Conversation about Dramaturgy, Contd. 1.33 A Conversation about Dramaturgy, Contd. 1.34 From the Final Script of L.#09 1.35 On the Idea of Crescita 1.36 Francesca and the Machines: On Crescita XIV Prato 1.37 From the Final Script of L.#09 1.38 A Theatre Dream 1.39 From Marseille Sketch 1.40 Letter to Lavinia 1.41 Asking for It 1.42 From the Final Script of M.#10 1.43 Beware What You Wish For 1.44 The Picture, the Place, the Drama, Us 1.45 To Live Episodically 1.46 From a Technical Script for C.#11 1.47 On Make-Believe 1.48 From the Final Script of C.#11 1.49 The Enchantment Part 2: Conversations 2.1 'The Theatre is Not Out Home': A Conversation about Space, Stage and Audience 2.2 A Conversation about Dramaturgy, Contd. 2.3 A Conversation about Pretence and Illusion 2.4 A Conversation about Composition 2.5 A Conversation about Rehearsal 2.6 A Conversation about Gesture 2.7 A Conversation about the Future Part 3: Disjecta Membra 3.1 Entries from a Notebook of Romeo Castellucci's
