Buch, Englisch, Band 100, 626 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 1207 g
Reihe: Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft
A Study in the <i>Commedia dell’Arte</i> 1560–1620 with Special Reference to the Visual Records
Buch, Englisch, Band 100, 626 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 1207 g
Reihe: Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft
ISBN: 978-90-420-1798-6
Verlag: Brill | Rodopi
Italian comedians attracted audiences to performances at every level, from the magnificent Italian, German and French court festival appearances of Orlando di Lasso or Isabella Andreini, to the humble street trestle lazzi of anonymous quacks. The characters they inspired continue to exercise a profound cultural influence, and an understanding of the commedia dell’arte and its visual record is fundamental for scholars of post-1550 European drama, literature, art and music. The 340 plates presented here are considered in the light of the rise and spread of commedia stock types, and especially Harlequin, Zanni and the actresses. Intensively researched in public and private collections in Oxford, Munich, Florence, Venice, Paris and elsewhere, they complement the familiar images of Jacques Callot and the Stockholm Recueil Fossard within a framework of hundreds of significant pictures still virtually unknown in this context. These range from anonymous popular prints to pictures by artists such as Ambrogio Brambilla, Sebastian Vrancx, Jan Bruegel, Louis de Caulery, Marten de Vos, and members of the Valckenborch and Francken clans. This volume, essential for commedia dell’arte specialists, represents an invaluable reference resource for scholars, students, theatre practitioners and artists concerned with commedia-related aspects of visual, dramatic and festival culture, in and beyond Italy.
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Literaturwissenschaft Romanische Literaturen Italienische Literatur
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatertheorie, Ästhetik des Theaters, Theaterkritik
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte
Weitere Infos & Material
Acknowledgements
Foreword
Introduction
I The commedia dell’arte
I.i The rise and spread of professional acting and
commedia dell’arte troupes in sixteenth century Italy
I.ii A case study in early patronage and geographic
spread: the Munich wedding performance of 1568
I.iii Stock types and players of the commedia dell’arte
II Art-historical analysis: some case studies
II.i The Recueil Fossard
II.ii Inspiration and imitation. The progressive
stereotyping of shared artistic motifs: Antonio
Tempesta and some Flemish carnival paintings
II.iii Sterling’s ‘Early paintings of the commedia dell’arte
in France’ reconsidered
III Theatrical interpretation: some case studies
III.i Scenery, settings and stages
III.ii Zanni and Pantalone
III.iii Some further comic types
III.iv Composite, multiple and serial images
Conclusion
Bibliography
Index
Plates 1–340
