Holman Before the Baton

Musical Direction and Conducting in Stuart and Georgian Britain
1. Auflage 2020
ISBN: 978-1-78744-630-4
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, Band 23, 432 Seiten

Reihe: Music in Britain, 1600-2000

How was large-scale music directed or conducted in Britain before baton conducting took hold in the 1830s?

Autoren/Hrsg.

Holman, Peter

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikgattungen Sinfonische Musik & Ensembles
• Geisteswissenschaften Musikwissenschaft Musikinstrumente Instrumentenunterricht & Lernanleitungen

Inhaltsverzeichnis

To Beat or Not to Beat: The Continental Context
1. 'Heard but not Seen': Leading Anglican Cathedral Music from the Organ
2. 'With a Scroll of Parchment or Paper, in Hand': Large-Scale Choral Music
3. 'Accompanied all along on the Organ by his Own Inimitable Hand': Handel and the Direction of his Oratorios
4. 'The Conductor at the Organ': The Oratorio Tradition after Handel
5. 'That Ridiculous Custom': From Devolved Direction to CentralizedTime-Beating in Seventeenth-Century Theatre Music
6. 'Il maestro al cembalo': Directing Opera and Theatre Music from the Harpsichord
7. 'A New Discipline and a New Style of Playing': Directing Opera and Theatre Music from the Violin
8. 'That Powerful Sovereign, the Conductor': From the Piano to the Rostrum
Superconductors or Semiconductors? Lessons for Today

Über Autor(innen)

Holman Peter:
PETER HOLMAN is Emeritus Professor of Historical Musicology at Leeds University. When not occupied with writing and research, he organises performances of seventeenth- and eighteenth-century music, mostly directing them from the keyboard. He is director of The Parley of Instruments, Leeds Baroque, the Suffolk Villages Festival and the annual Baroque Summer School run by Cambridge Early Music.