The Cambridge Companion to Shakespeare and Contemporary Dramatists

Erscheinungsjahr 2016
ISBN: 978-0-521-12874-2
Verlag: Cambridge University Press

Buch, Englisch, 326 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 474 g

Reihe: Cambridge Companions to Literature

While Shakespeare's popularity has continued to grow, so has the attention paid to the work of his contemporaries. The contributors to this Companion introduce the distinctive drama of these playwrights, from the court comedies of John Lyly to the works of Richard Brome in the Caroline era. With chapters on a wide range of familiar and lesser-known dramatists, including Thomas Kyd, Christopher Marlowe, Ben Jonson, John Webster, Thomas Middleton and John Ford, this book devotes particular attention to their personal and professional relationships, occupational rivalries and collaborations. Overturning the popular misconception that Shakespeare wrote in isolation, it offers a new perspective on the most impressive body of drama in the history of the English stage.

Autoren/Hrsg.

Hoenselaars, Ton

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Englische Literatur
• Geisteswissenschaften Literaturwissenschaft Literaturgeschichte und Literaturkritik

Inhaltsverzeichnis

1. John Lyly and the university wits: George Peele, Robert Greene, Thomas Lodge and Thomas Nashe Arthur F. Kinney; 2. Thomas Kyd and the Elizabethan blockbuster: The Spanish Tragedy Clara Calvo; 3. 'The words of mercury': Shakespeare and Marlowe Richard Wilson; 4. The dyer's hand: Shakespeare and Jonson Warren Chernaik; 5. Urbane John Marston: obscenity, playfulness, co-operation Matthew Steggle; 6. Thomas Dekker and the emergence of city comedy Darryll Grantley; 7. Shakespeare: colleagues, collaborators, co-authors Ton Hoenselaars; 8. Thomas Heywood: dramatist of London and playwright of the passions Jean E. Howard; 9. George Chapman's learned drama Paul Franssen; 10. Francis Beaumont and John Fletcher's tragicomedy as musical melodrama Catherine Henze; 11. Thomas Middleton and the early modern theatre Michelle O'Callaghan; 12. John Webster: collaboration and solitude Robert Henke; 13. John Ford: suffering and silence in Perkin Warbeck and 'Tis Pity She's a Whore Lisa Hopkins; 14. Philip Massinger: drama, reputation, and the dynamics of social history Rui Carvalho Homem; 15. Richard Brome and the idea of a Caroline theatre Heather Hirschfeld; 16. Troublesome histories: performance and early modern drama Elizabeth Schafer.

Über Autor(innen)

Hoenselaars, Ton
Ton Hoenselaars is Professor of Early Modern English Literature and Culture at Utrecht University, where he teaches Renaissance drama in its historical contexts and in later adaptations both in Britain and abroad. His research concentrates on early modern English literature (with a special focus on Shakespeare) and its international relations. He has published widely on images of nations in Renaissance literature, literature in translation and on Shakespeare in European culture from 1600 to the present day. He is the author of Images of Englishmen and Foreigners in the Drama of Shakespeare and his Contemporaries (1992), and co-editor of a number of collections, including Shakespeare's Italy (1993), The Italian World of English Renaissance Drama (1998), The Author as Character (1999), 400 Years of Shakespeare in Europe (2003), Shakespeare and the Language of Translation (2004), Shakespeare's History Plays (2004) and Challenging Humanism (2005).