Buch, Englisch, Band 19, 274 Seiten, Format (B × H): 148 mm x 210 mm, Gewicht: 452 g
Selected Papers from the Wuppertal Conference of the German Society for English Romanticism
Buch, Englisch, Band 19, 274 Seiten, Format (B × H): 148 mm x 210 mm, Gewicht: 452 g
Reihe: Studien zur englischen Romantik
ISBN: 978-3-86821-726-1
Verlag: WVT Wissenschaftlicher Verlag Trier
The phrase
Narratives of Romanticism
is deliberately ambiguous, so as to allow for two different ways of bringing 'narrative' and 'Romanticism' together: narratives
written during
the Romantic period and narratives
about
the Romantic period. Discussions of both types of 'narratives of Romanticism' can be found in this volume. While the contributors to this volume take different approaches to narratives of Romanticism – from Deleuzian deconstruction to the cognitive sciences, affect theory and ecocriticism –, they agree on and start their arguments from the hypothesis that narratives are important human means of organising experience, whose major function is sense-making.
Contributors: Sandra Heinen, Katharina Rennhak, Ian Duncan, Jeffrey Champlin, Camille Barrera, Katrin Röder, Pascal Fischer, Ralf Haekel, Raphaël Ingelbien, Lis Møller, Angela Esterhammer, Tilottama Rajan, David Duff, Jan Alber, Mathelinda Nabugodi, Michael O'Neill, Claire Connolly, Seth T. Reno, Sabrina Sontheimer, Christopher Catanese, Saree Makdisi.
Autoren/Hrsg.
Weitere Infos & Material
Contents
Sandra Heinen and Katharina Rennhak
Narratives of Romanticism: Introduction 7
Ian Duncan
Bildung
versus
Roman
: Germaine de Staël's
Corinne
17
Jeffrey Champlin
The Future of the Broken Promise: Body Structuralism
and Earth Narrative in
Frankenstein
27
Camille Barrera
The Ethics of the Storyteller's Dis/Appearance in
Moby-Dick
and
The Last Man
39
Katrin Röder
Emplotting Happiness: Charlotte Smith's
Celestina
and
Desmond
53
Pascal Fischer
Anti-Illusionist Self-Reflexivity in the Conservative Romantic Novel:
Elizabeth Hamilton's
Memoirs of Modern Philosophers
67
Ralf Haekel
The Narrative Construction of Irish National Identity:
The Case of Sydney Owenson's
The Wild Irish Girl
79
Raphaël Ingelbien
The 'Headachy School' of Fiction: Thomas Colley Grattan
and the Irish Romantic Novel 91
Lis Møller
Ballads into Novels: Walter Scott's
Ivanhoe
and B. S. Ingemann's
The Childhood of King Erik Menved
103
Angela Esterhammer
Speculative Fiction and Counterfactual Narrative
in Scottish and Irish Romanticism 115
Tilottama Rajan
Sophia Lee's Baroque Narratology:
The Recess
and the (Dis)simulation
of the Real 123
David Duff
Turns, Transports and Transformations: Lyric Events in Romantic Poetry 137
Jan Alber
Narrating the Orient: Some Brief Eastern Episodes in Romantic Poetry 149
Mathelinda Nabugodi
Dream Revisions: Percy Bysshe Shelley's
Queen Mab
and
Hellas
163
Michael O'Neill
Narrative and Play: Byron's
Beppo
and Shelley's
The Witch of Atlas
177
Claire Connolly
Natural History and the History of Nature:
Environmental Narratives in Irish Romanticism 195
Seth T. Reno
Romantic Clouds: Narrating Climate Change 211
Sabrina Sontheimer
James Cook and the Other(s): Multiple Authorship and Narrating Alterity 227
Christopher Catanese
Survival Narratives: Georgic Extinction and the Romantic Genre-System 239
Saree Makdisi
Blake, Lamb, London 253
List of Contributors 269