Buch, Englisch, Band 49, 242 Seiten, gebunden, Format (B × H): 170 mm x 240 mm, Gewicht: 643 g
Cultural Communities Converging in French, German, and Turkish Stage Productions (17th–20th Century)
Buch, Englisch, Band 49, 242 Seiten, gebunden, Format (B × H): 170 mm x 240 mm, Gewicht: 643 g
Reihe: Istanbuler Texte und Studien (ITS)
ISBN: 978-3-98740-044-5
Verlag: Ergon
In early modern Europe, music-theatrical patterns of representing the foreign ‘Other’ helped shape relations with the Ottoman Empire. Accordingly, hybridity must be understood as a dynamic practice playing with cultural blends and borrowings, albeit possibly (re-)producing inequalities, ambiguities, and clichés. Representations of Ottomans/Turks appear as musical features emerging out of vague inspirations derived from Ottoman/Turkish music, creating a particular sound that could be decoded as ‘Ottoman’ or ‘Turkish’ by contemporary listeners.
This volume addresses the convergence of cultural communities on stage from early modern France to present-day Turkey, starting from the iconic ‘Turkish scene’ from Le Bourgeois gentilhomme (1670).
With contributions by
Özlem Berk Albachten Thomas Betzwieser Aysenaz Cengiz Marie Demeilliez Irène Feste Judith I. Haug Hubert Hazebroucq Gerrit Berenike Heiter Evren Kutlay Martin Laiblin Hanna Walsdorf
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte
- Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Kultur- und Ideengeschichte
- Geisteswissenschaften Musikwissenschaft Musikgattungen Opernmusik
- Geisteswissenschaften Musikwissenschaft Geschichte der Musik
