Hales / Petrescu / Weinstein Continuity and Crisis in German Cinema, 1928-1936

1. Auflage 2016
ISBN: 978-1-78204-843-5
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, Band 15, 344 Seiten

Reihe: Screen Cultures: German Film and the Visual

New essays examining the differences and commonalities between late Weimar-era and early Nazi-era German cinema against a backdrop of the crises of that time.

Autoren/Hrsg.

Hales, Barbara

Petrescu, Mihaela

Weinstein, Valerie

Weitere Mitwirkende

Hans, Anjeana K.

Hales, Barbara

Heinsohn, Bastian

Henkel, Brook

Rogowski, Christian

Michell, Kalani

Johnson, Kevin B.

Frölich, Margrit

Petrescu, Mihaela

Lyons, Owen

Flaig, Paul

McCormick, Richard W.

Weinstein, Valerie

Wilms PhD, Wilfried

Fachgebiete

• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Deutsche Geschichte
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte

Inhaltsverzeichnis

List of Illustrations
Acknowledgments
Introduction
"Timid Heresies": Werner Hochbaum's Razzia in St. Pauli (1932) - Christian Rogowski
Film as Pedagogy in Late Weimar and Early Nazi Cinema: The Role of the Street in Mobilizing the Spectator - Bastian Heinsohn
"A Fairytale for Grown-ups": Financial and Cinematic Crises in Die Koffer des Herrn O.F. (1931) - Paul Flaig
"Denn Gold ist Glück und Fluch dieser Welt": Examining the Trope of "Gold" in Gold (1934) and Der Kaiser von Kalifornien (1936) - Owen Lyons
Degenerate Disease and the Doctors of Death: Racial Hygiene Film as Propaganda in Weimar and Early Nazi Germany - Barbara Hales
"White Jews" and Dark Continents: Capitalist Critique and Its Racial Undercurrents in Detlef Sierck's April! April! (1935) - Valerie Weinstein
The Zigeunerdrama Reloaded: Leni Riefenstahl's Fantasy Gypsies and Sacrificial Others - Anjeana Hans
Regaining Mobility: The Aviator in Weimar Mountain Films - Wilfried Wilms
Brigitte Helm and Germany's Star System in the 1920s and 1930s - Mihaela Petrescu
Foreign Attractions: Czech Stars and Ethnic Masquerade - Kevin B. Johnson
Objects in Motion: Hans Richter's Vormittagsspuk (1928) and the Crisis of Avant-Garde Film - Brook Henkel
Seeing Crisis in Harry Piel's Ein Unsichtbarer geht durch die Stadt (1933) - Kalani Michell
Playing the European Market: Marcel L'Herbier's L'Argent (1928), Ufa, and German-French Film Relations - Margrit Frölich
A Serious Man? Ernst Lubitsch's Anti-War Film The Man I Killed (a.k.a. Broken Lullaby, USA 1932) - Richard W. McCormick
Selected Bibliography
Notes on the Contributors
Index

Über Autor(innen)

Hans Anjeana K.:
Anjeana K. Hans is Associate Professor of German Studies at Wellesley College.