The Films of Martin Scorsese, 1978-99

Authorship and Context II
2013. Auflage 2013
ISBN: 978-1-4039-2035-5
Verlag: Palgrave MacMillan UK

Buch, Englisch, 357 Seiten, Format (B × H): 142 mm x 213 mm, Gewicht: 5612 g

A detailed, theoretically attuned analysis of all of the Scorsese-directed features from The Last Waltz to Bringing Out the Dead. Grist illuminates Scorsese's authorship, but also reflects back upon a range of informing contexts.

Zielgruppe

Research

Autoren/Hrsg.

Grist, L.

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgattungen, Filmgenre

Inhaltsverzeichnis

Acknowledgements Evolving Authorship, Developing Contexts: 'Life Lessons' Scorsese and Documentary: The Last Waltz Masculinity, Violence, Resistance: Raging Bull Back to Travis#1: The King of Comedy Adventures in Reagan and Bush Snr's USA: The Color of Money and GoodFellas Yuppies in Peril: After Hours and Cape Fear Religion, Blasphemy, and the Hollywood Institution: The Last Temptation of Christ Style, Narrative, Adaptation: The Age of Innocence Power and the Look: Casino Cinema of Transcendence, Cinema as Transcendence: Kundun Back to Travis#2: Bringing Out the Dead Conclusion: 'Of course, there's less time.' Notes Bibliography

Über Autor(innen)

LEIGHTON GRIST is Senior Lecturer in Film Studies at the University of Winchester, UK. He has published extensively on film, including work on classical and post-classical Hollywood, film theory, and genre. He is the author of The Films of Martin Scorsese, 1963-77: Authorship and Context, to which this book is a sequel.