Beyond Pure Reason

Erscheinungsjahr 2012
ISBN: 978-0-231-15780-3
Verlag: Columbia University Press

Buch, Englisch, 248 Seiten, Format (B × H): 156 mm x 236 mm, Gewicht: 455 g

Reihe: Leonard Hastings Schoff Lectures

The Swiss linguist Ferdinand de Saussure (1857;1913) revolutionized the study of language, signs, and discourse in the twentieth century. He successfully reconstructed the proto-Indo-European vowel system, advanced a conception of language as a system of arbitrary signs made meaningful through kinetic interrelationships, and developed a theory of the anagram so profound it gave rise to poststructural literary criticism.

The roots of these disparate, even contradictory achievements lie in the thought of Early German Romanticism, which Saussure consulted for its insight into the nature of meaning and discourse. Conducting the first comprehensive analysis of Saussure's intellectual heritage, Boris Gasparov links Sassurean notions of cognition, language, and history to early Romantic theories of cognition and the transmission of cultural memory. In particular, several fundamental categories of Saussure's philosophy of language, such as the differential nature of language, the mutability and immutability of semiotic values, and the duality of the signifier and the signified, are rooted in early Romantic theories of "progressive" cognition and child cognitive development. Consulting a wealth of sources only recently made available, Gasparov casts the seeming contradictions and paradoxes of Saussure's work as a genuine tension between the desire to bring linguistics and semiotics in line with modernist epistemology on the one hand, and Jena Romantics' awareness of language's dynamism and its transcendence of the boundaries of categorical reasoning on the other. Advancing a radical new understanding of Saussure, Gasparov reveals aspects of the intellectual's work previously overlooked by both his followers and his postmodern critics.

Autoren/Hrsg.

Gasparov, Boris

Fachgebiete

• Geisteswissenschaften Philosophie Sprachphilosophie
• Geisteswissenschaften Sprachwissenschaft Sprachwissenschaften Theoretische Linguistik
• Geisteswissenschaften Sprachwissenschaft Sprachwissenschaften Sprachphilosophie

Inhaltsverzeichnis

AcknowledgmentsAbbreviationsIntroduction: Saussure, "Saussurism," and "Saussurology"1. The Person2. The Writings3. Antinomies of the Sign4. Fragmentation and Progressivity: Saussure's Semiotics in the Mirror of Early Romantic Epistemology5. Diachrony and History6. The Anagram7. Linguistics of Speech: An Unrealizable Promise?Conclusion: Freedom and Mystery the Peripathetic Nature of LanguageWorks CitedIndex

Leseproben

Read the introduction "Saussure, 'Saussurism,' and 'Saussurology'" (to view in full screen, click on icon in bottom right-hand corner):

Über Autor(innen)

Gasparov, Boris
Boris Gasparov is professor of Russian, cochair and founder of the University Seminar on Romanticism, and a member of the Seminars on Linguistics and Slavic History and Culture at Columbia University. Educated in linguistics and musicology in Moscow in the 1960s, he completed his intellectual development in Tartu, Estonia, which at the time was a renowned center of research on cultural history, semiotics, and poetics. Gasparov immigrated to the United States in 1981 and taught at the University of California, Berkeley, for eleven years before settling at Columbia. His publications include Five Operas and a Symphony: Word and Music in Russian Culture, which received the ASCAP Deems Taylor Award, and Speech, Memory, and Meaning: Intertextuality in Everyday Language. He is also the editor of Cultural Mythologies of Russian Modernism: From the Golden Age to the Silver Age.

Boris Gasparov is professor of Russian, cochair and founder of the University Seminar on Romanticism, and a member of the Seminars on Linguistics and Slavic History and Culture at Columbia University. Educated in linguistics and musicology in Moscow in the 1960s, he completed his intellectual development in Tartu, Estonia, which at the time was a renowned center of research on cultural history, semiotics, and poetics. Gasparov immigrated to the United States in 1981 and taught at the University of California, Berkeley, for eleven years before settling at Columbia. His publications include Five Operas and a Symphony: Word and Music in Russian Culture, which received the ASCAP Deems Taylor Award, and Speech, Memory, and Meaning: Intertextuality in Everyday Language. He is also the editor of Cultural Mythologies of Russian Modernism: From the Golden Age to the Silver Age.