From Uncle Tom's Cabin to the Help

Critical Perspectives on White-Authored Narratives of Black Life
2014. Auflage 2014
ISBN: 978-1-137-44625-1
Verlag: Palgrave MacMillan Us

Buch, Englisch, 255 Seiten, Format (B × H): 163 mm x 239 mm, Gewicht: 5266 g

This book surveys the cultural, literary, and cinematic impact of white-authored films and imaginative literature on American society from Harriet Beecher Stowe's Uncle Tom's Cabin to Kathryn Stockett's Th e Hel p.

Zielgruppe

Research

Autoren/Hrsg.

Garcia, C.

Young, V.

Pimentel, C.

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Literaturgeschichte und Literaturkritik
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften
• Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft
• Geisteswissenschaften Literaturwissenschaft Literaturtheorie: Poetik und Literaturästhetik

Inhaltsverzeichnis

Introduction: What's at Stake When White Writes Black?; Claire Oberon Garcia, Vershawn Ashanti Young, Charise Pimentel 1. Bearing Witness?: The Problem with the White Cross-Racial (Mis)Portrayals of History; Luminita Dragulescu 2. 'Must the Novelist Ask Permission?': Authority and Authenticity of the Black Voice in the works of Eudora Welty and Kathryn Stockett's The Help; Ebony Lumumba 3. 'Blackness as Medium: Envisioning White Southern Womanhood in Eudora Welty's 'A Worn Path' and Delta Wedding and Kathryn Stockett's The Help; Elizabeth J. West 4. 'Taking care a white babies, that's what I do': The Help and Americans' Obsession with the Mammy; Katrina Thompson 5. 'When folks is real friends, there ain't no such thing as place': Feminist Sisterhood and the Politics of Social Hierarchy in The Help; Shana Russell 6. Black Girlhood and The Help: Constructing Black Girlhood in a 'Post' -Racial, -Gender and Welfare State; Julia S. Jordan-Zachery 7. Second (and Third, and Fourth…) Helpings: Black Women, Size, and Spectacle in The Help; Mecca Jamilah Sullivan 8. Mae Mallory and 'The Southern Belle Fantasy Trope' at The Cuyahoga County Jail 21st and Payne PAIN.; Paula Marie Seniors 9. 'Bleeping Mark Twain?': Censorship, Huckleberry Finn, and the Functions of Literature; Robert T. Tally, Jr. 10. White Lies & Black Consequences: Margaret Jones and the Complex Dynamics of the Publishing Industry; Josephine Metcalf 11. 'A Secondhand Kind of Terror': Grace Hasell, Kathryn Stockett, and the Ironies of Empathy; Alsiha Gaines 12. 'Saviour' Good Mother, Jezebel, Tom, Trickster: The Blind Side Myth; Pearlie Strother-Adams 13. Blindsided by Racism: A Critical Analysis of The Blind Side; Charise Pimentel and Sarah Santíllanes 14. Django Unchained: An Analysis; Karen A. Johnson 15. Are the Kids All Right?: A look at Post-Racial Presentations in The Kids are All Right; Jenise Hudson Afterword: Manufactured Maids, Mammies and Falsified History: No White HelpWanted or Needed; Maulana Karenga

Über Autor(innen)

Alisha Gaines, Florida State University, USA
Luminita Dragulescu, Virginia Union University, USA

Julia Jordan-Zachery, Providence College, USA

Sarah Leah Santíllanes, University of New Mexico, USA
Jenise Hudson, Florida State University, USA
Karen A. Johnson, University of Utah, USA
Ebony Lumumba, University of Mississippi, USA
Josephine Metcalf, University of Hull, UK
Shana Russell, Rutgers University-Newark, USA
Paula Marie Seniors, Virginia Tech University, USA
Pearlie Strother-Adams, Western Illinois University, USA
Mecca Jamilah Sullivan, Williams College, USA
Robert T. Tally, Jr., Texas State University, USA
Katrina D. Thompson, Saint Louis University, USA
Elizabeth J. West, Georgia State University, USA