Italian Birds of Passage

The Diaspora of Neapolitan Musicians in New York
1. Auflage 2014
ISBN: 978-1-349-45835-6
Verlag: Palgrave Macmillan US

Buch, Englisch, 263 Seiten, Paperback, Format (B × H): 140 mm x 216 mm, Gewicht: 361 g

Reihe: Italian and Italian American Studies

This book reviews the period from the unification of Italy to the fascist era through significant Neapolitan performers such as Gilda Mignonette and Enrico Caruso. It traces the transformation of a popular tradition written in dialect into a popular tradition, written in Italian, that contributed to the production of "American" identity.

Zielgruppe

Research

Autoren/Hrsg.

Frasca, Simona

Fachgebiete

• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Europäische Geschichte
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Mentalitäts- und Sozialgeschichte
• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Geschichte: Ereignisse und Themen
• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Geschichte einzelner Länder Amerikanische Geschichte Regionalgeschichte der USA: Einzelne Staaten, Städte

Inhaltsverzeichnis

Introduction to the American Edition PART I: CULTURAL CONTEXT OF THE ITALIAN-AMERICAN COMMUNITY IN NEW YORK IN THE EARLY TWENTIETH CENTURY 1.1 The Italian Populations in the Neighborhoods of New York 1.2 Publishing Activity and Religious Holidays 1.3 Musical Venues: 1.3.1 Theaters, Concert Halls, and Schools 1.3.2 Radio Broadcasts PART II: ENRICO CARUSO: THE FIRST NEAPOLITAN STAR 2.1 'La Follia di New York' 2.2. Enrico Caruso's Recording Career with the Victor Talking Machine Company 2.3 The Neapolitan Recordings of Caruso in America 2.4 Caruso and Armstrong: the Italian-American and the African-American, Comparing Ethnicities PART III: THE MUSIC OF THE IMMIGRANT TAKES ON MASS APPEAL 3.1 From Opera to Vaudeville: The Comedians, Writers, and Singers of Caruso's Era 3.2 Eduardo Migliaccio and Tony Ferrazzano 3.3 Giuseppe De Laurentiis 3.4 Armando Cennerazzo 3.5 Raffaele Balsamo 3.6 Giuseppe Milano 3.7 Joe Masiello PART IV: BIRDS OF PASSAGE, THE IMMIGRANTS RETURN HOME 4.1 Dan Caslar 4.2 Glimpses on the Spread of American Music in Naples: From 'O Sole Mio to the Foxtrot 4.3 Two Border Authors: E.A. Mario and Gaetano Lama PART V: MUSIC IS WOMAN 5.1 From the Theaters of Naples to the Stages of New York 5.2 Mimì Aguglia 5.3 Gilda Mignonette 5.4 Teresa De Matienzo 5.5 The Other Women Performers: Ada Bruges, Amelia Bruno, Stella Bruno, Silvia Coruzzolo, Clara Stella, Rosina De Stefano, Ria Rosa, Nina de Charny, Gina Santelia PART VI: THE RECORD LABELS, THE PRODUCERS AND THE ORCHESTRA DIRECTORS 6.1 Italian-American Recording Labels 6.2 Alfredo Cibelli 6.3 The Major American Labels Record Ethnic Music 6.4 Rosario Bourdon 6.5 Nathaniel Schilkret Conclusion History Bibliography

Über Autor(innen)

Simona Frasca is a lecturer on early sound reproduction and Italian migration, and a freelance music journalist. She hold a doctorate in History and Analysis of Musical Culture from La Sapienza University, Rome, Italy, and is the author of Norah Jones, Piano Girl (2004).