Book-Men, Book Clubs, and the Romantic Literary Sphere

2015. Auflage 2015
ISBN: 978-1-137-36759-4
Verlag: Palgrave MacMillan UK

Buch, Englisch, 192 Seiten, Format (B × H): 140 mm x 216 mm, Gewicht: 386 g

Reihe: Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print

This book re-reads the tangled relations of book culture and literary culture in the early nineteenth century by restoring to view the figure of the bookman and the effaced history of his book clubs. As outliers inserting themselves into the matrix of literary production rather than remaining within that of reception, both provoked debate by producing, writing, and circulating books in ways that expanded fundamental points of literary orientation in lateral directions not coincident with those of the literary sphere. Deploying a wide range of historical, archival and literary materials, the study combines the history and geography of books, cultural theory, and literary history to make visible a bookish array of alterative networks, genres, and locations that were obscured by the literary sphere in establishing its authority as arbiter of the modern book.

Zielgruppe

Research

Autoren/Hrsg.

Ferris, Ina

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Literarische Strömungen & Epochen
• Interdisziplinäres Bibliothekswesen, Informationswissenschaften Buchgeschichte, Bibliotheksgeschichte
• Geisteswissenschaften Literaturwissenschaft Literaturgeschichte und Literaturkritik

Inhaltsverzeichnis

List of Illustrations
Acknowledgements
Introduction: Bookish Outliers
PART I: URBAN ASSOCIATIONS
1. Unmooring the Literary Word
2. Typographical Consciousness and the Dissolution of Authorship
3. Printing Clubs and the Question of the Archive
PART II: BEYOND THE METROPOLIS
4. On the Borders of the Reading Public
5. A Provincial Itinerary: Reading the Journals of John Marsh
Notes
Bibliography
Index

Über Autor(innen)

Ina Ferris is Emeritus Professor of English at the University of Ottawa, Canada. Her books include, and (co-edited with Paul Keen).