Early Music History v20

Erscheinungsjahr 2002
ISBN: 978-0-521-80773-9
Verlag: Cambridge University Press

Buch, Englisch, Band 20, 330 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 688 g

Reihe: Early Music History

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume twenty include: Encompassing past and present: quotations and their function in Machaut's motets; The Vatican organum treatise re-examined; Who 'made' the Magnus liber?

Autoren/Hrsg.

Fenlon, Iain

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Geschichte der Musik Geschichte der Musik: Barock (ca. 1600-1750)
• Geisteswissenschaften Musikwissenschaft Geschichte der Musik Geschichte der Musik: Mittelalter & Renaissance

Inhaltsverzeichnis

1. Encompassing past and present: quotations and their function in Machuat's motets Jacques Boogaart; 2. The footnote quarrels of the modal theory: a remarkable episode in the reception of medieval music John Haines; 3. The Vatican organum treatise re-examined Steven C. Immel; 4. A new look at Old Roman chant - II Kenneth Levy; 5. Ludwig Senfl and the Judas trope: composition and religious toleration at the Bavarian court Rebecca Wagner Oettinger; 6. Who 'made' the Magnus liber? Edward H. Roesner; Reviews.