Music and Mental Imagery

1. Auflage 2024
ISBN: 978-1-032-37607-3
Verlag: Routledge

Buch, Englisch, 318 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 488 g

Reihe: SEMPRE Studies in The Psychology of Music

Drawing on perspectives from music psychology, cognitive neuroscience, philosophy, musicology, clinical psychology, and music education, Music and Mental Imagery provides a critical overview of cutting-edge research on the various types of mental imagery associated with music. The four main parts cover an introduction to the different types of mental imagery associated with music such as auditory/musical, visual, kinaesthetic, and multimodal mental imagery; a critical assessment of established and novel ways to measure mental imagery in various musical contexts; coverage of different states of consciousness, all of which are relevant for, and often associated with, mental imagery in music, and a critical overview of applications of mental imagery in health, educational, and performance settings.

By both critically reviewing up-to-date scientific research and offering new empirical results, this book provides a unique overview of the different types and origins of mental imagery in musical contexts, various ways to measure them, and intriguing insights into related mental phenomena such as mind-wandering and synaesthesia. This will be of particular interest for scholars and researchers of music psychology and music education. It will also be useful for practitioners working with music in applied health and educational contexts.

Zielgruppe

Postgraduate, Professional, and Undergraduate

Autoren/Hrsg.

Küssner, Mats B.

Taruffi, Liila

Floridou, Georgia A.

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein
• Sozialwissenschaften Psychologie Allgemeine Psychologie Biologische Psychologie, Neuropsychologie
• Sozialwissenschaften Psychologie Allgemeine Psychologie Kognitionspsychologie

Inhaltsverzeichnis

Foreword by Andrea R. Halpern

Introduction and Overview

Mats B. Küssner, Liila Taruffi, and Georgia A. Floridou

PART I: Modalities of Mental Imagery

- The Chronicles of Musical Imagery as it Occurs Before, During, and After Music

Georgia A. Floridou

- Visual Mental Imagery, Music, and Emotion: From Academic Discourse to Clinical Applications

Liila Taruffi and Mats B. Küssner

- Intermittent Motor Control in Volitional Musical Imagery

Rolf Inge Godøy

- Kinaesthetic Musical Imagery Underlying Music Cognition

Jin Hyun Kim

- Music and Multimodal Mental Imagery

Bence Nanay

PART II: Measurement

- Music-Evoked Imagery and Imagery for Music: Subjective and Behavioural Measures

Rebecca W. Gelding, Robina A. Day, and William Forde Thompson

- Self-Report Measures in the Study of Musical Imagery

Timothy L. Hubbard

- Neuroscience Measures of Music and Mental Imagery

Amy M. Belfi

- Deep Neural Networks and Auditory Imagery

André Ofner and Sebastian Stober

- Musical Imagery from a Cross-Cultural Methodological Perspective

George Athanasopoulos

PART III: Mental Imagery and Related States of Consciousness

- Mental Imagery in Music-Evoked Autobiographical Memories

Kelly Jakubowski

- What is Mind-Wandering?

Mahiko Konishi

- Distraction or Panic?

Anthony Gritten

- Musical Daydreaming and Kinds of Consciousness

Ruth Herbert

- Sound-Colour Synaesthesia and Music-Induced Visual Mental Imagery: Two Sides of the Same Coin?

Mats B. Küssner and Konstantina Orlandatou

- Music-Evoked Imagery in an Absorbed State of Mind: A Bayesian Network Approach

Thijs Vroegh

- Recumbent Journeys Into Sound – Music, Imagery, and Altering States of Consciousness

Jörg Fachner

Part IV: Applied Mental Imagery

- Imagery and Movement in Music-Based Rehabilitation and Music Pedagogy

Rebecca S. Schaefer

- Applied Mental Imagery and Music Performance Anxiety

Katherine K. Finch and Jonathan M. Oakman

- In Search of a Story: Guided Imagery and Music Therapy

Helena Dukic

- The Image Behind the Sound: Visual Imagery in Music Performance

Graziana Presicce

- Multimodal Perception in Selected Visually Impaired Pianists: Towards A Conceptual Framework

Anri Herbst and Silvia van Zyl

- "Don’t Sing it With the Face of a Dead Fish!" Can Verbalised Imagery Stimulate a Vocal Response in Choral Rehearsals?

Mary T. Black

Part V: Outlook

- Future Perspectives and Challenges

Tuomas Eerola

Über Autor(innen)

Mats B. Küssner is Lecturer in the Department of Musicology and Media Studies at Humboldt-Universität zu Berlin and Visiting Research Fellow in the Department of Psychology at Goldsmiths, University of London.

Liila Taruffi is Lecturer in Music Psychology at Durham University, UK. She has an interdisciplinary background in psychology, neuroscience, and aesthetics.

Georgia A. Floridou is a psychologist, researcher, and educator operating at the intersection of music, psychology, and neuroscience. She is Honorary Research Fellow in the Department of Music at the University of Sheffield, UK.