Edwards / Nemo | Essential Novelists - Amelia B. Edwards | E-Book | sack.de
E-Book

E-Book, Englisch, Band 93, 374 Seiten

Reihe: Essential Novelists

Edwards / Nemo Essential Novelists - Amelia B. Edwards

archaeologist, travel writer and novelist
1. Auflage 2020
ISBN: 978-3-96858-576-5
Verlag: Tacet Books
Format: EPUB
Kopierschutz: 6 - ePub Watermark

archaeologist, travel writer and novelist

E-Book, Englisch, Band 93, 374 Seiten

Reihe: Essential Novelists

ISBN: 978-3-96858-576-5
Verlag: Tacet Books
Format: EPUB
Kopierschutz: 6 - ePub Watermark



Welcome to the Essential Novelists book series, were we present to you the best works of remarkable authors. For this book, the literary critic August Nemo has chosen the two most important and meaningful novels of Amelia B. Edwardswhich areIn the Days of My Youth and Monsieur Maurice. Amelia B. Edwards was an English writer and Egyptologist that showed writing talent at a young age, publishing poetry at age 7 and her first story at age 12. Novels selected for this book: - In the Days of My Youth - Monsieur MauriceThis is one of many books in the series Essential Novelists. If you liked this book, look for the other titles in the series, we are sure you will like some of the authors.

Amelia Ann Blanford Edwards(7 June 1831 15 April 1892), also known asAmelia B. Edwards,was an English novelist, journalist, traveller andEgyptologist. Her most successful literary works included the ghost story 'The Phantom Coach' (1864), the novelsBarbara's History(1864) andLord Brackenbury(1880), and the Egyptian travelogueA Thousand Miles up the Nile(1877). In 1882, she co-founded theEgypt Exploration Fund. She also edited a poetry anthologypublished in 1878.

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1
THE EVENTS I AM ABOUT to relate took place more than fifty years ago. I am a white-haired old woman now, and I was then a little girl scarce ten years of age; but those times, and the places and people associated with them, seem, in truth, to lie nearer my memory than the times and people of to-day. Trivial incidents which, if they had happened yesterday, would be forgotten, come back upon me sometimes with all the vivid detail of a photograph; and words unheeded many a year ago start out, like the handwriting on the wall, in sudden characters of fire. But this is no new experience. As age creeps on, we all have the same tale to tell. The days of our youth are those we remember best and most fondly, and even the sorrows of that bygone time become pleasures in the retrospect. Of my own solitary childhood I retain the keenest recollection, as the following pages will show. My father's name was Bernhard—Johann Ludwig Bernhard; and he was a native of Coblentz on the Rhine. Having grown grey in the Prussian service, fought his way slowly and laboriously from the ranks upward, been seven times wounded and twice promoted on the field, he was made colonel of his regiment in 1814, when the Allies entered Paris. In 1819, being no longer fit for active service, he retired on a pension, and was appointed King's steward of the Château of Augustenburg at Brühl—a sort of military curatorship to which few duties and certain contingent emoluments were attached. Of these last, a suite of rooms in the Château, a couple of acres of private garden, and the revenue accruing from a small local impost, formed the most important part. It was towards the latter half of this year (1819) that, having now for the first time in his life a settled home in which to receive me, my father fetched me from Nuremberg where I was living with my aunt, Martha Baur, and took me to reside with him at Brühl. Now my aunt, Martha Baur, was an exemplary person in her way; a rigid Lutheran, a strict disciplinarian, and the widow of a wealthy wool-stapler. She lived in a gloomy old house near the Frauen-Kirche, where she received no society, and led a life as varied and lively on the whole as that of a Trappist. Every Wednesday afternoon we paid a visit to the grave of her “blessed man” in the Protestant cemetery outside the walls, and on Sundays we went three times to church. These were the only breaks in the long monotony of our daily life. On market-days we never went out of doors at all; and when the great annual fair-time came round, we drew down all the front blinds and inhabited the rooms at the back. As for the pleasures of childhood, I cannot say that I knew many of them in those old Nuremberg days. Still I was not unhappy, nor even very dull. It may be that, knowing nothing pleasanter, I was not even conscious of the dreariness of the atmosphere I breathed. There was, at all events, a big old-fashioned garden full of vegetables and cottage-flowers, at the back of the house, in which I almost lived in Spring and Summer-time, and from which I managed to extract a great deal of enjoyment; while for companions and playmates I had old Karl, my aunt's gardener, a pigeon-house full of pigeons, three staid elderly cats, and a tortoise. In the way of education I fared scantily enough, learning just as little as it pleased my aunt to teach me, and having that little presented to me under its driest and most unattractive aspect. Such was my life till I went away with my father in the Autumn of 1819. I was then between nine and ten years of age—having lost my mother in earliest infancy, and lived with aunt Martha Baur ever since I could remember. The change from Nuremberg to Brühl was for me like the transition from Purgatory to Paradise. I enjoyed for the first time all the delights of liberty. I had no lessons to learn; no stern aunt to obey; but, which was infinitely pleasanter, a kind-hearted Rhenish Mädchen, with a silver arrow in her hair, to wait upon me; and an indulgent father whose only orders were that I should be allowed to have my own way in everything. And my way was to revel in the air and the sunshine; to roam about the park and pleasure-grounds; to watch the soldiers at drill, and hear the band play every day, and wander at will about the deserted state-apartments of the great empty Château. Looking back upon it from this distance of time, I should pronounce the Electoral Residenz at Brühl to be a miracle of bad taste; but not Aladdin's palace if planted amid the gardens of Armida could then have seemed lovelier in my eyes. The building, a heavy many-windowed pile in the worst style of the worst Renaissance period, stood, and still stands, in a fat, flat country about ten miles from Cologne, to which city it bears much the same relation that Hampton Court bears to London, or Versailles to Paris. Stucco and whitewash had been lavished upon it inside and out, and pallid scagliola did duty everywhere for marble. A grand staircase supported by agonised colossi, grinning and writhing in vain efforts to look as if they didn't mind the weight, led from the great hall to the state apartments; and in these rooms the bad taste of the building may be said to have culminated. Here were mirrors framed in meaningless arabesques, cornices painted to represent bas-reliefs, consoles and pilasters of mock marble, and long generations of Electors in the tawdriest style of portraiture, all at full length, all in their robes of office, and all too evidently by one and the same hand. To me, however, they were all majestic and beautiful. I believed in themselves, their wigs, their armour, their ermine, their high-heeled shoes and their stereotyped smirk, from the earliest to the latest. But the gardens and grounds were my chief delight, as indeed they were the main attraction of the place, making it the focus of a holiday resort for the townsfolk of Cologne and Bonn, and a point of interest for travellers. First came a great gravelled terrace upon which the ground-floor windows opened—a terrace where the sun shone more fiercely than elsewhere, and orange-trees in tubs bore golden fruit, and great green, yellow, and striped pumpkins, alternating with beds of brilliant white and scarlet geraniums, lay lazily sprawling in the sunshine as if they enjoyed it. Beyond this terrace came vast flats of rich green sward laid out in formal walks, flower-beds and fountains; and beyond these again stretched some two or three miles of finely wooded park, pierced by long avenues that radiated from a common centre and framed in exquisite little far-off views of Falkenlust and the blue hills of the Vorgebirge. We were lodged at the back, where the private gardens and offices abutted on the village. Our own rooms looked upon our own garden, and upon the church and Franciscan convent beyond. In the warm dusk, when all was still, and my father used to sit smoking his meerschaum by the open window, we could hear the low pealing of the chapel-organ, and the monks chanting their evening litanies. A happy time—a pleasant, peaceful place! Ah me! how long ago! 2
A WHOLE DELIGHTFUL Summer and Autumn went by thus, and my new home seemed more charming with every change of season. First came the gathering of the golden harvest; then the joyous vintage-time, when the wine-press creaked all day in every open cellar along the village street, and long files of country carts came down from the hills in the dusk evenings, laden with baskets and barrels full of white and purple grapes. And then the long avenues and all the woods of Brühl put on their Autumn robes of crimson, and flame-colour, and golden brown; and the berries reddened in the hedges; and the Autumn burned itself away like a gorgeous sunset; and November came in grey and cold, like the night-time of the year. I was so happy, however, that I enjoyed even the dull November. I loved the bare avenues carpeted with dead and rustling leaves—the solitary gardens—the long, silent afternoons and evenings when the big logs crackled on the hearth, and my father smoked his pipe in the chimney corner. We had no such wood-fires at Aunt Martha Baur's in those dreary old Nuremberg days, now almost forgotten; but then, to be sure, Aunt Martha Baur, who was a sparing woman and looked after every groschen, had to pay for her own logs, whereas ours were cut from the Crown Woods, and cost not a pfennig. It was, as well as I can remember, just about this time, when the days were almost at their briefest, that my father received an official communication from Berlin desiring him to make ready a couple of rooms for the immediate reception of a state-prisoner, for whose safe-keeping he would be held responsible till further notice. The letter—(I have it in my desk now)—was folded square, sealed with five seals, and signed in the King's name by the Minister of War; and it was brought, as I well remember, by a mounted orderly from Cologne. So a couple of empty rooms were chosen on the second story, just over one of the State apartments at the end of the east wing; and my father, who was by no means well pleased with his office, set to work to ransack the Château for furniture. “Since it is the King's pleasure to make a gaoler of me,” said he, “I'll try to give my poor devil of a prisoner all the comforts I can. Come with me, my little Gretchen, and let's see what chairs and tables we can find up in the garrets.” Now I had been longing to explore the top rooms ever since I came to live at Brühl—those top rooms under the roof, of which the shutters were always closed, and the doors always locked, and...



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