Dibble / Horton British Musical Criticism and Intellectual Thought, 1850-1950

1. Auflage 2018
ISBN: 978-1-78744-280-1
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, Band 19, 390 Seiten

Reihe: Music in Britain, 1600-2000

This collection provides an in-depth look at musical criticism between the mid-nineteenth and the mid-twentieth century.

Autoren/Hrsg.

Dibble, Jeremy

Horton, Julian

Weitere Mitwirkende

Thomson, Aidan J.

Zon, Bennett

Mark, Christopher

White, Harry

Dibble, Jeremy

Clinch, Jonathan

Horton, Julian

Arrandale, Karen

Watt, Paul

Horton, Peter

Bullock, Philip Ross

Collins, Sarah

Barra, Séamas de

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikgattungen Sinfonische Musik & Ensembles

Inhaltsverzeichnis

Introduction: Trends in British Musical Thought, 1850-1950 - Jeremy Dibble and Julian Horton
Avoiding 'Coarse Invective' and 'Unseemly Vehemence': English Music Criticism, 1850-1870 - Peter Horton
Spencer, Sympathy and the Oxford School of Music Criticism - Bennett Zon
Free Thought and the Musician: Ernest Walker, the 'English Hanslick' - Jeremy Dibble
Ernest Newman and the Promise of Method in Biography, Criticism and History - Paul Watt
'Making Symphony Articulate': Bernard Shaw's Sense of Music History - Harry White
Analysis and Value Judgment: Schumann, Bruckner and Tovey's Essays in Musical Analysis - Julian Horton
The Scholar as Critic: Edward J. Dent - Karen Arrandale
Russia and Eastern Europe - Philip Ross Bullock
Anti-Intellectualism and the Rhetoric of 'National Character' in Music: The Vulgarity of Over-Refinement - Sarah Collins
Chosen Causes: Writings on Music by Bernard van Dieren, Peter Warlock and Cecil Gray - Séamas de Barra
'Es klang so alt und war doch so neu': Vaughan Williams, Aesthetics and History - Aidan J. Thomson
Constant Lambert: A Critic for Today? A Commentary on Music Ho! - Christopher Mark
The Challenge to Goodwill: Herbert Howells, Alban Berg and 'The Modern Problem' - Jonathan Clinch
Hans Keller: The Making of an 'Anti-Critic' -
Select Bibliography

Über Autor(innen)

Dibble Jeremy:
JEREMY DIBBLE is an Emeritus Professor of Music at Durham University where he taught for 30 years. He is the author of C. Hubert H. Parry: His Life and Music (1998), Charles Villers Stanford: Man and Musician (original edition, 2002), Michele Esposito (2010). With the Boydell Press, Dibble has published John Stainer: A Life in Music (2007), Hamilton Harty: Musical Polymath (2013), British Musical Criticism and Intellectual Thought, 1850-1950 (2018) (with Julian Horton) and The Music of Frederick Delius (2021).Dibble Jeremy:
JEREMY DIBBLE is an Emeritus Professor of Music at Durham University where he taught for 30 years. He is the author of C. Hubert H. Parry: His Life and Music (1998), Charles Villers Stanford: Man and Musician (original edition, 2002), Michele Esposito (2010). With the Boydell Press, Dibble has published John Stainer: A Life in Music (2007), Hamilton Harty: Musical Polymath (2013), British Musical Criticism and Intellectual Thought, 1850-1950 (2018) (with Julian Horton) and The Music of Frederick Delius (2021).Arrandale Karen:
KAREN ARRANDALE is a Life Member of Clare Hall, University of Cambridge, and former Senior Associate of King's College, Cambridge.Watt Paul:
PAUL WATT is Adjunct Professor of Musicology in The University of Adelaide. He is the author of Ernest Newman: A Critical Biography (The Boydell Press, 2017) and editor of The Symphonic Poem in Britain, 1850-1950 (with Michael Allis) (The Boydell Press, 2020).Bullock Philip Ross:
PHILIP ROSS BULLOCK is Professor of Russian and Music at the University of Oxford, and Fellow and Tutor in Russian at Wadham College, Oxford. Previously for Boydell,he has published a translation of the correspondencence between Rosa Newmarch and Jean Sibelius, and in 2016, his biography of Tchaikovsky was published in the Critical Lives series by Reaktion.