Davies / Sobaskie Drama in the Music of Franz Schubert

1. Auflage 2019
ISBN: 978-1-78744-439-3
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 378 Seiten

This book challenges the assumption that Franz Schubert (1797-1828), best known for the lyricism of his songs, symphonies and chamber music, lacked comparable talent for drama.

Autoren/Hrsg.

Davies, Joe

Sobaskie, James William

Weitere Mitwirkende

Hyland, Anne

Black, Brian

Martin, Christine

McClelland, Clive

Tunbridge, Laura

Suurpaa, Lauri

Byrne Bodley, Lorraine

Hirsch, Marjorie

Wollenberg, Susan

Youens, Susan

Hascher, Xavier

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikgattungen Sinfonische Musik & Ensembles

Inhaltsverzeichnis

Preface - and
Introduction: Internal Dramas - Laura Tunbridge
Opera that Vanished: Goethe, Schubert and Claudine von Villa Bella - Lorraine Byrne Bodley
Pioneering German Musical Drama: Sung and Spoken Word in Schubert's Fierabras - Christine Martin
The Dramatic Monologue of Schubert's Mass in A flat major -
Schubert's Dramatic Lieder: Rehabilitating 'Adelwold und Emma', D. 211 - Susan Wollenberg
Gretchen abbandonata: The Lied as Aria - Marjorie Hirsch
The Dramatic Strategy Within Two of Schubert's Serenades -
'Durch Nacht und Wind': Tempesta as a topic in Schubert's Lieder - Clive McClelland
Reentering Mozart's Hell: Schubert's 'Gruppe aus dem Tartarus', D. 583 - Susan Youens
'Zumsteeg Ballads without Words': Inter-Generic Dialogue and Schubert's Projection of Drama through Form - Anne Hyland
Lyricism and the Dramatic Unity of Schubert's Instrumental Music: The Impromptu in C Minor, D. 899/1 - Brian Black
Music as Poetry: An Analysis of the first movement of Schubert's Piano Sonata in A major, D. 959 - Xavier Hascher
Virtual Protagonist and Musical Narration in the Slow Movements of Schubert's Piano Sonatas D. 958 and D. 960 - Lauri Suurpaa
Stylistic Disjuncture as a Source of Drama in Schubert's Late Instrumental Works -
Select Bibliography

Über Autor(innen)

Davies Joe:
JOE DAVIES is Marie Sklodowska-Curie Global Fellow at Maynooth University and the University of California, Irvine. He is editor of Clara Schumann Studies (2021), guest-editor of the special journal issue 'Clara Schumann: Changing Identities and Legacies' (2023), and co-editor of Drama in the Music of Franz Schubert (Boydell Press, 2019).Wollenberg Susan:
SUSAN WOLLENBERG is Emeritus Professor of Music, University of Oxford, as well as Emeritus Fellow of Lady Margaret Hall.